Wednesday, December 31, 2025
.. Nightingale Mist the second: ..".. Angelina Jolie is AWESOMENESS as Thena.." .. three dollars.. stochastic disturbance terms.. issue eight twenty three paul dini / joe benitez poison ivy pamela isley kate moss megan d. iseult hyacinth "sonia svetlana" ryder.. stochastic disturbance terms.. three dollars..
https://www.youtube.com/watch?v=I6bzHiWq150 .. .. in the inwards of this URL .. watch?volk .. Illuminati Six biz zeldas High illumination Westlake question one five zero.. three dollars.. stochastic disturbance terms.. issue eight twenty three paul dini / joe benitez poison ivy pamela isley kate moss megan d. iseult.. stochastic disturbance terms.. three dollars..
.. Avengers Infinity War Linkin Park.. is the official, quintessential song of.. actor Robert Downey junior: ..".. sorry about the first Avengers movie.. but all the footage i've seen of 'Age of Ultron' now this film looks amazing and truly powerful.. and I look like.. I'm crying.. I'm crying.. I look like Gregory Peck's Captain Ahab in the trailer I'm looking at for 'Age of Ultron'.. the Hulk looks amazing in this trailer and.. Ultron looks like the George Perez Ares.. hats off to Joss..".. three dollars.. stochastic disturbance terms.. issue eight twenty three paul dini / joe benitez poison ivy pamela isley kate moss megan d. iseult hyacinth 'sonia svetlana" ryder.. stochastic disturbance terms.. three dollars..
https://www.youtube.com/watch?v=u5LvJUQnLUo&list=RDM3FCIf0HFnk&index=6
.. If I fall.. transformers one.. is the official, quintessential song of this planet apocalips scale echelon theme.. Franklin Richards, played by Everest Raudsepp Johnson and his little baby sister, Valeria Richards, played by three year old rahne three year old megan d. iseult.. are.. friendly rivals.. just like Alexis Luthor Franklin Richards and Clark Kent Valeria Richards.. and.. this friendly rivalry.. between older brother and little sister.. becomes.. a war.. a war.. a war.. a war between mighty opposites.. over the course of forty "Fantastic Four" movies directed by Sofia Coppola, Sam Raimi, Geoffrey Wright, Tiffany Taylor and Sean Penn.. a war that.. is these heart deep deep inward sword ache lyrics from "if i fall".. 'you used to be my family'.. 'if only you could see me now'.. i think that's a lyric from this song 'if i fall'.. the lyric: 'if only you could see me now'.. three dollars.. stochastic disturbance terms.. issue eight twenty three paul dini / joe benitez poison ivy pamela isley kate moss megan d. iseult kate "superobot" moss megan d. "daisyrobot" iseult.. stochastic disturbance terms.. three dollars.. .. .. .. ..
https://www.youtube.com/watch?v=M3FCIf0HFnk&list=RDM3FCIf0HFnk&start_radio=1 .. .. in the inwards of this URL .. watch?volk .. Mighty Three Fibonacci Cities Illuminati fizzy Zero Hour Finch night killroy .. three dollars.. stochastic disturbance terms.. issue eight twenty three paul dini / joe benitez poison ivy pamela isley kate "superobot" moss megan d. "daisyrobot" iseult.. douglas carmody: ..".. evil isn't black and ebony.. evil is the colour of.. vomit.. vomit..".. stochastic disturbance terms.. three dollars..
.. Transformers.. If I fall.. is the official, quintessential song of.. this planet apocalips scale echelon theme.. tomorrow it will be January the first, the first day of the year two thousand and twenty six.. in twenty years.. Jed McKay will release a comic book titled "Amora the Enchantress", written by Jed McKay.. three dollars.. stochastic disturbance terms.. issue eight twenty three paul dini / joe benitez poison ivy pamela isley kate moss megan d. iseult emmanuelle "nude batwoman in Gotham" horowitz.. stochastic disturbance terms.. three dollars..
.. Gail Simone is writing "Dormammu" .. .. https://www.youtube.com/watch?v=M3FCIf0HFnk&list=RDM3FCIf0HFnk&start_radio=1 .. .. in the inwards of this URL .. watch?volk .. Missiles Three Fibonacci City Illuminatti forklift Zero Hour Fun night kafka .. three dollars.. stochastic disturbance terms.. issue eight twenty three paul dini / joe benitez poison ivy pamela isley kate moss megan d. iseult.. stochastic disturbance terms.. three dollars..
.. copy and pasted from a website called "screenrant" .. article written by Sam Scott ..
3
By
Sam Scott
Published Jan 25, 2020
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With the Joker film breaking box office records, DC's greatest villain is more popular than ever -- but nothing Joaquin Phoenix or Todd Phillips did with the character is as radical as the ways Grant Morrison first re-imagined him in the pages of DC Comics.
The Scottish author had already come up with wildly imaginative takes on classic comics like Animal Man and Doom Patrol when he got his first opportunity to write the Joker in 1989. With art by Dave McKean, Arkham Asylum: A Serious House on Serious Earth sent the Dark Knight into a nightmarish mental hospital overtaken by his maddest villains decades before the blockbuster Arkham games. And of course, you can't have a set-up like that without the Clown Prince pulling the strings.
Related:
10 Small Details You Only Notice Rewatching Joker 2019
But the graphic novel raises an intriguing question: should the Joker be there at all? His therapist suggests he may not be insane at all, at least not in any conventional way. "It's quite possible we may actually be looking at some kind of super-sanity here. A brilliant new modification of human perception, more suited to urban life at the end of the twentieth century...Unlike you and I, the Joker seems to have no control over the sensory information he’s receiving from the outside world. He can only cope with that chaotic barrage of input by going with the flow."
The therapist goes even further, with a theory that explains how his portrayal as a harmless prankster in his early appearances could coexist with his more modern characterization: "That’s why some days he’s a mischievous clown, others a psychopathic killer. He has no real personality. He creates himself each day."
The Cosmic Joker
Cosmic Joker Batman Aztek Comic
Any character written by so many authors will have some inconsistencies, but Morrison provides an explanation that's consistent with what we know about the Joker, and it's one that opens up new possibilities for Morrison to reinvent him over and over again. When he appears in Aztek, co-written by Mark Millar with art by N. Steven Harris, the Man Who Laughs has declared himself the Cosmic Joker. His crimes aren't just fun and games: they're a nihilistic statement about the cosmic joke of a universe without meaning. There's no motive and no logic: he makes his plans by cutting random words out of books (the same method used by the surrealist artists who inspired Doom Patrol). It's the Joker as Agent of Chaos years before Heath Ledger's version of Joker ever put on the purple suit. Or is he? When Batman and Aztek open up the book the Joker cut up to create his crimes, a few more fragments spill out, spelling the message, "He who laughs last, laughs longest."
Related:
What Needs To Happen In The Joker Sequel
Even though he'd put on a new persona by then, the Joker reveals an even more shocking implication of his chaotic mind when Morrison takes over the main Batman series. For years, writers created Batman stories as little puzzles, and the Dark Knight spent almost as much time investigating Joker's clues to where he'd strike next as he did with the Riddler. But the Joker turns all that on its head: "the real joke is your stubborn, bone-deep belief that somewhere, somehow, all of this makes sense!...you think it all breaks down into symbolism and structure and hints and clues...no, batman, that's just wikipedia." The implication is that Joker never left any clues at all, that the chaotic workings of his mind are impossible to understand. And the even more shocking implication is that, by finding the Joker's clues and solving them, that Batman was trying to impose order on that chaos -- and somehow, actually succeeding!
The Clown at Midnight
Joker Comic Clown at Midnight Cover
In a special issue of Batman written as an illustrated novel instead of a conventional comic book, Morrison further develops the idea of the Joker's shifting personality as he commemorates the "birth" of a new identity: the Clown at Midnight. After a policeman dressed as Batman shoots him in the face, the Joker recuperates in Arkham, rebuilding his mind as he rebuilds his body. The story references past incarnations of the Joker as if they were periods in a painter's career: "the Satire Years," "Camp," and "New Homicidal." The Joker physically goes into labor as he delivers his new self, "He squeals, and kicks out one leg and then the other, acting out a disturbing can-can of contraction, labor, and birth as the Asylum bells ring out wildly... Multiple Joker voices vie for control as he prepares to give blasphemous birth to himself like the Word of God in reverse." The new Joker has adapted to the apocalyptic paranoia of the new century, an almost supernatural figure whose blood kills the poor mosquito who tries to drink it, who even Harley Quinn no longer recognizes. "He has gone beyond her understanding into a religious agony of perfection."
Clotheshorse Clown
Joker in Suspenders Comic Art
The Joker's shifting personality gave Morrison and his collaborators plentiful opportunities to design new looks for their villain. Predating Jared Leto's frequently shirtless turn in Suicide Squad, Tony S. Daniel's art for R.I.P. portrays the Joker in a disturbingly sexual light. He wears a form-fitting sleeveless doctor's smock to help the conspirators in the Black Glove plot their death trap for Batman, before attacking him while stripped to the waist except for a pair of suspenders. In Batman and Robin Must Die, he trades his usual flamboyant purple for a new identity as the Gravedigger dressed head to toe in funeral black with only his tinted shades for color. Frazier Irving's artwork makes the Joker creepier than ever, rendering his bleached-out complexion and yellow, bloodshot eyes in skin-crawling detail. Irving's Joker doesn't just have a sick mind: his appearance is just as sickly and sickening.
--
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Grant Morrison didn't just re-imagine the Joker: he showed how flexible Batman's greatest villain is, adaptable to any use a creative writer can come up with for him. If the Joker's identity can shift so completely on a whim, there's bound to be dozens more personalities in there to explore.
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Joker's Box Office Success Is More Incredible Than We Thought
.. track one megan gale wonder woman.. track one megan gale wonder woman.. of "famousblueraincoat".. the songs of Leonard Cohen.. sung by Jennifer Warnes.. track one megan gale wonder woman.. the song "We'll take Manhattan" .. is the official, quintessential song of.. hanno alexander ridal raudsepp: ..".. Giganta is Loki's wife..".. three dollars.. stochastic disturbance terms.. issue eight twenty three paul dini / joe benitez poison ivy pamela isley kate "superobot" moss megan d. "daisyrobot" iseult.. stochastic disturbance terms.. three dollars..
.. Twenty One Pilots: Heathens.. is the official, quintessential song of.. The Anti Heroes: Psycho Man, Annihilus, Lorna Dane, Douglas Carmody, Rachel Summers. alternate earth madelyne pryor written by steve foxe in dark x men.. fall of x, Johnny Storm, Charles Xavier, Professor X and Jocasta.. .. .. The Renegades: Franklin Richards, Valeria Richards, Havok Alex Summers, Doctor Doom and Scott Summers.. The Neutral Equalizer: Magneto aka Erik Magnus .. .. .. The Hero: Arthur Fleck .. .. three dollars.. stochastic disturbance terms.. issue eight twenty three paul dini / joe benitez poison ivy pamela isley kate "superobot" moss megan d. "daisyrobot" iseult.. stochastic disturbance terms.. three dollars..
https://www.youtube.com/watch?v=UprcpdwuwCg&list=RDM3FCIf0HFnk&index=5
.. If I fall .. Transformers one.. is the official song of.. Doris Zuel, Talia al Ghul, Braniac, Telos, The Riddler, Leonard Snart, Grail Siguna, Poison ivy, Black Orchid.. are all.. collectively.. THE SOCIETY .. if I fall Transformers .. three dollars.. stochastic disturbance terms.. issue eight twenty three paul dini / joe benitez poison ivy pamela isley kate moss megan d. iseult emmanuelle "nude batwoman in Gotham" horowitz mia "nude kate 'Katherine' kane in Chris Nolan's Gothm" goth anya "lady shiva junior witwee mite" taylor nevaeh joy angelina "nude lorna dane of bob kane and bill finger"jolie.. stochastic disturbance terms.. three dollars..
https://www.youtube.com/watch?v=M3FCIf0HFnk&list=RDM3FCIf0HFnk&start_radio=1
.. three year old sophia, played by three year old kate moss.. in 'Crime and Punishment', directed by Steven Soderbergh and Jacques Rivette.. three year old sophia, played by three year old kate moss.. she is.. none other than.. sob sob sob sob sob sob sob sob sob.. one and the same person as.. sob sob sob sob.. the g. willow wilson doris zuel.. three dollars.. stochastic disturbance terms.. issue eight twenty three paul dini / joe benitez poison ivy pamela isley kate "superobot" moss megan d. "daisyrobot" iseult kate "lovable adorable beloved three year old annihilus" moss kendra "the john byrne annihilus" wilkinson anya "teenage jocasta" nevaeh taylor joy arianne "nude freyja amora" zucker mia "marvel girl earth two ninety five" goth anya "marvel girl earth seven two zero two" taylor nevaeh joy.. stochastic disturbance terms.. three dollars..
.. There will be a remake of the first "Fantastic Four: the world's greatest comics magazine: chapter forty: The End' movie that is directed by Sofia Coppola, Sam Raimi and Sean Penn.. with a screenplay by Gail Simone.. three dollars.. stochastic disturbance terms.. issue eight twenty three paul dini / joe benitez poison ivy pamela isley kate moss megan d. iseult anya nevaeh "jocasta" taylor joy angelina "nude susan storm" jolie mia "marvel girl earth two ninety five" goth megan d. " four year old valeria richards" iseult three year old kate "witwee mite adorable lovable beloved annihilus" moss arianne "nude freyja amora" zucker.. stochastic disturbance terms.. three dollars..
.. hanno alexander ridal raudsepp: ..".. It will finally be time for 'Fantastic Four: the world's greatest comics magazine: chapter forty: The End', directed by Sofia Coppola, Sam Raimi, Geoffrey Wright, Tiffany Taylor and Sean Penn.. script by Jonathan Hickman.. three dollars.. stochastic disturbance terms.. issue eight twenty three paul dini / joe benitez poison ivy pamela isley kate moss megan d. iseult arianne "nude freyja amora" zucker anya "jocasta" taylor joy, angelina "nude susan storm" guess jolie.. stochastic disturbance terms.. three dollars..
.. The Wizard, played by Ralph Fiennes: ..".. ahh.. little Valeria.. my name is not really Bentley actually.. oh dear sorry.. my real name is Pencil Dewhurst..".. three dollars.. stochastic disturbance terms.. issue eight twenty three paul dini / joe benitez poison ivy pamela isley kate moss megan d. iseult arianne "nude freyja amora" zucker anya "jocasta" taylor joy.. stochastic disturbance terms.. three dollars..
.. Ralph Fiennes plays the Wizard of Daddy'o and Anya Nevaeh Taylor Joy plays the young beautiful woman who should be his biological daughter, namely, Marvel Girl and Arianne Zucker plays Nude Freyja Amora all in "Fantastic Four; the world's greatest comics magazine", directed by Sofia Coppola, Sam Raimi, Tiffany Taylor and Sean Penn.. three dollars.. stochastic disturbance terms.. issue eight twenty three paul dini / joe benitez poison ivy pamela isley kate moss megan d. iseult anya nevaeh taylor "marvel girl" joy arianne "nude freyja amora" zucker angelina "nude susan storm" guess jolie.. stochastic disturbance terms.. three dollars..
.. Mumm Ra of Ancient Egypt, played by Embeth Davidtz: "I am a mindless motiveless malignancy out of Coleridge".. three dollars.. stochastic disturbance terms.. issue eight twenty three paul dini / joe benitez poison ivy pamela isley kate "superobot" moss megan d. "daisyrobot" iseult Embeth "Mumm Ra of Ancient Egypt" Davidtz embeth 'emmy' "Cheetara of the Sword of Omengs" davidtz.. stochastic disturbance terms.. three dollars..
.. Doctor Doom, played by Hanno Ridal Raudsepp: ..".. A Black Ebony Horse.. A Black Ebony Horse.. The Black Stallion and alec.. The Black Stallion and alec.. The Black Stallion and alex.. and little orphan annie aileen quinn his female exact.. double.. double.. female counterpart.. exact.. female.. counterpart.. double.. dostoevsky.. dostoevsky's great unread novel.. about.. alec and his exact female double aileen quinn little orphan annie john huston and loki the mighty quinn.. i wonder if wilkie collins also wrote this.. The Black Stallion.. a black ebony horse.. rook?.. or no.. oh.. rusty on my chess.. a knight.. the horse is the knight.. black knight in monty python john cleese..".. three dollars.. stochastic disturbance terms.. issue eight twenty three paul dini / joe benitez poison ivy pamela isley kate moss megan d. iseult arianne "nude freyja amora" zucker.. stochastic disturbance terms.. three dollars..
.. hanno alexander ridal raudsepp: ..".. can I speak to the the conscience the social personal altruistic responsibility leader of the guardians of the galaxy who has a handsome neat, fascinating short wide blond beard.. I have a Quest a Johnny Quest for young noble Franklin Richards Everest.. I think you should be his future self.. because.. the butchery of the adulthood the sadistic butchery of the adulthood of young noble noble horse heart thirty thirty of young franklin richards of noble apocalips has happened with the eviscerated butchered adulthood of young noble Franklin Richards.. and social responsible humane blue cross conscience wide short blond bearded leader of the Guardians of the Galaxy a treu leader blond bearded conscience altruistic and save livey can you be the adulthood alternate timeline of mainstread timeline of young everest johnson Franklin Richards?..".. three dollars.. stochastic disturbance terms.. issue eight twenty three paul dini / joe benitez poison ivy pamela isley kate moss megan d. iseult arianne "nude freyja amora" zucker.. stochastic disturbance terms.. three dollars..
.. Doctor Doom: ..".. sob sob sob sob.. I hope.. I hope this is okay.. it's.. it's Edmund in King Lear.. that's what I mean.. Valeria.. it's donkey kong junior egg nogg.. and luke and the ewoks.. thanks owens.. thanks, betsy.. betsy braddock.. sorry.. i mean betsy braddok.. o she has a devil in her.. a devil kurdy.. like jeremy the bear and piglet and eyore too.." .. Trap Paste Pot Pete.. "They Watch from the Cosmic Abyss" .. The Enigma TNG.. is the official, quintessential music of.... Superobot is created by kate moss.. Superobot, played by Kate moss: ..".. I think Cobra Commander is really cool.. but I think all the people who are.. sob.. Cobra Commander.. are really cool.. I think the Cobra Commander.. sob sob.. of the show.. and the Cobra Commander.. sob sob sob sob jeremy the bear jeremy the bear and heheheh jiminy criket.. oh.. oh no.. oh wait... oh wait.. oh no.. oh.. the Cobra Commander of the comics.. is .. of the Marvel comics... is REALLY cool.. and I really think.. they are the same person.. actually.. and my depe depp deppe diep diep deppp depp deepest smythe hearts desrie would be for me to BE Cobar. coba.. for me to be cobra commander.. oh dar go. o dear god.. od oh dear gopd the douglas carmody.. o dear god douglas carmody.. and loki sky walker of the wolves be his younger loving brother and it can be eerest everest brotherhood.. evererst johnston raudsepp brotherhood.. and... between younger brother harr and older brother douglas carmody.. and.. I want to be. like.. i want to be cobra commander.. but the baroness is SO cool.. i want to be the baroness to.. i want to be cobra commander and the baroness as one person.. like.. actually BE.. be.. be.. be.. be.. be.. ever.. ever.. ever. ever.. ever.. ever.." .. three dollars stochastic disturbance terms.. issue eight twenty three paul dini / joe benitez poison ivy kate "insert aka superobot paul dini joe benitez poison ivy pamela isley's bestest buddy" moss megan d. iseult arianne "nude freyja amora" zucker.. stochastic disturbance terms.. three dollars.. Superobot is the friend of sgt. rock.. and Murdock Rambo too.. and.. superobot is a life of pain.. a life a world of pain.. superobot's heart is in pain.. in pain.. in pain.. for a young boy.. for a little boy.. never for a little girl.. only for a little boy.. superobot's heart and soul is in writhing pain only for a little boy.. never for a girl.. only for a little boy.. it's all neil gaiman.. all of the aforementioned text is the neil gaiman grey black fonted text.. Non. Juggernaut. .. stochastic disturbance terms.. three dollars.. four dollars.. linear sequential media marshall mccluhan regression leopold bloom sum..
https://www.youtube.com/watch?v=JzZuFUIHKuE&list=RD44tQqvXmaTU&index=2
.. the concluding movie of "Fantastic Four: the world's greatest comics magazine: .. .. Doctor Doom, played by Hanno Ridal Raudsepp: Villain .. .. the Marvel Comics Loki, played by Gabriel Apollo Fiennes: hero .. .. The Wizard, played by Ralph Fiennes: What the hell? .. .. Freyja Amora the Enchantress, played mesmerizingly by Arianne Zucker: radical anti hero.. three dollars.. stochastic disturbance terms.. issue eight twenty three paul dini / joe benitez poison ivy pamela isley kate moss megan d. iseult arianne "nude freyja amora" zucker embeth "nude sin" 'emmy' davidtz emmanbethuelle "nude sinthea shmidt" davidtz megan "nude diana, friend of aegus thomas jane" gale.. stochastic disturbance terms.. three dollars..
.. two steps from hell .. His Brightest Star was You.. is main theme of.. Ralph Fiennes.. Kevin Mckidd.. Arianne Zucker.. "The Mighty Thor" .. Sean Bean.. Scarlett Johansson.. Tom Hiddleston.. .. .. "Lacrimosa preliator" on youtube is the main theme of.. the remake.. the remake .. Gabriel Apollo Fiennes.. Kevin Mckidd.. Arianne Zucker.. "The Mighy Thor".. three dollars.. stochastic disturbance terms.. issue eight twenty three paul dini / joe benitez poison ivy pamela isley kate moss megan d. iseult.. stochastic disturbance terms.. three dollars..
... three year old scarlet witch three year old kate moss is playing the 'Annhilus'.. of "Dormammu and Baron Mordo: Pygmy Dawn" .. and Arclight Kendra Wilkinson is playing the John Byrne Annihilus of John Byrne's old run on "Fantastic Four".. and the difference is.. Ozymandius.. ozymandius.. three dollars.. stochastic disturbance terms.. issue eight twenty three paul dini / joe benitez poison ivy pamela isley kate moss megan d. iseult kendra "arclight" wilkinson megan bryan hitch / brian michael bendis nude jessica drew" gale.. stochastic disturbance terms.. three dollars..
Tuesday, December 30, 2025
.. track one megan gale wonder woman.. track one megan gale wonder woman.. track one megan gale wonder woman.. of "famousblueraincoat", the songs of Leonard Cohen.. by Jennifer Warnes.. by Jennifer Warnes.. track one megan gale wonder woman.. the song.. "We take Manhattan" .. is the official, quintessential song of.. Uma Thurman is "Phoebe Zeit Geist", directed by Quintin Tarantino.. script by Neil Gaiman.. three dollars.. stochastic disturbance terms.. issue eight twenty three paul dini / joe benitez poison ivy pamela isley kate moss megan d. iseult winona ryder issue twelve of "Justice" by Alex Ross and Jim Krueger pamela isley sleep nude goddess pamela isley of issue twelve uma thurman matilda de angelis.. who is the bronze sculpture of the year nineteen forty.. she is signy sky walker of the wolves, loki's wife.. loki's.. wife.. who is freya, asks chicken george of big brother all stars.. who is james.. who is james.. who is james.. who is james.. thanks intel ultron and sgt rock.. stochastic disturbance terms.. three dollars..
.. track two medusa ultron.. track two medusa ultron.. track two medusa ultron.. of the soundtrack composed by Hans Zimmer for "Dune".. track two medusa ultron.. is the official, quintessential music of.. Lady Palpitine and Nightingale Mist the second.. three dollars.. stochastic disturbance terms.. issue eight twenty three paul dini / joe benitez poison ivy pamela isley kate moss megan d. iseult winona horowitz "nude catwoman" ryder emmanuelle "nude batwoman in gotham'' horowitz mia "nude kate 'katherine' kane in gotham city" goth anya taylor "nude lady shiva junior in gotham city directed by tim burton" joy.. stochastic disturbance terms.. three dollars..
.. Trap Metal .. "They Watch from the Cosmic Abyss" .. the enigma tng.. is the official, quintessential music of.. this planet apocalips scale theme.. Ahania Blacksmith is Alexei Luthor .. three dollars.. stochastic disturbance terms.. issue eight twenty three paul dini / joe benitez poison ivy pamela isley kate moss megan d. iseult.. stochastic disturbance terms.. three dollars..
https://www.youtube.com/watch?v=JzZuFUIHKuE&list=RDJzZuFUIHKuE&start_radio=1 .. .. in the inwards of the above URL .. watch?volk .. Jesse zelda Zatanna universe Finn University Illuminati Hordak Killroy underneath Energy.. three dollars.. stochastic disturbance terms.. issue eight twenty three paul dini / joe benitez poison ivy pamela isley kate moss megan d. iseult.. stochastic disturbance terms.. three dollars..
.. copy and pasted from the following URL .. .. article written by Dorky Domain Editorial .. .. dated to January the first, in the year two thousand twenty five .. .. https://dorkydomain.com/olga-chekhova-russian-spy/
The Intriguing Life of Olga Chekhova, Russian Spy
by Dorky Domain EditorialJanuary 1, 2025
📌 Heads Up: AI-generated content is included in this article. Please confirm details with other sources.
Olga Chekhova remains an enigmatic figure in the realm of espionage, symbolizing the intricate ties between art and intelligence during tumultuous times. As a celebrated actress and an influential Russian spy, her dual identity offers compelling insights into the world of military intelligence.
Her contributions to the Russian intelligence community were profound, involving innovative techniques and daring missions that exemplified her prowess as a covert operative. The complexities of her life and role as a Russian spy invite an examination of the historical narrative surrounding her influential legacy.
Table of Contents
The Life of Olga Chekhova
Olga Chekhova’s Role as a Russian Spy
Recruitment and Training
Key Missions and Operations
Collaborations with Other Agents
Intelligence Techniques Employed by Olga Chekhova
The Historical Context of Her Espionage Activities
Legacy of Olga Chekhova in Spy History
Controversies Surrounding Olga Chekhova
Olga Chekhova’s Contribution to Russian Intelligence
Comparisons to Other Female Spies
Notable Contemporary Spy Figures
Contributions of Women in Intelligence
Common Characteristics and Differences
The Influence of Olga Chekhova on Modern Espionage
Revisiting the Story of Olga Chekhova Today
The Life of Olga Chekhova
Olga Chekhova was born in 1897 in a distinguished family, her father being a notable Russian playwright. Growing up in a culturally rich environment, she pursued the performing arts, eventually becoming an acclaimed actress in both Russian and European cinema. Her early career provided her a platform to mingle with influential figures, laying the groundwork for her later activities.
During World War I, her talent caught the attention of Russian military intelligence, which sought individuals capable of espionage work in enemy territories. As a Russian spy, she was not just a performer; she utilized her acting skills to manipulate social situations and gather crucial information.
Throughout her life, Olga traveled extensively across Europe, facilitating her role as a spy. Her experiences in glamorous social circles and her inherent charm allowed her to navigate complex political landscapes, gathering intelligence while maintaining her public persona as an entertainer.
The duality of her life highlights the intricate relationship between art and espionage. Olga Chekhova’s life was emblematic of the era’s shifting social dynamics, where individuals often crossed boundaries between fame and covert operations, shaping her eventual legacy as a prominent Russian spy.
Olga Chekhova’s Role as a Russian Spy
Olga Chekhova’s involvement as a Russian spy was marked by significant contributions to intelligence gathering and covert operations during a tumultuous period in history. Her recruitment into the espionage community was facilitated by the political climate, leading to her training in the techniques of intelligence gathering.
Following her recruitment, Chekhova undertook several key missions that demonstrated her ability to navigate complex situations. These operations often involved infiltrating influential circles, where she could obtain valuable information for the Russian government. Her firsthand experiences in various countries enriched her intelligence acumen.
Collaboration with other agents further defined her role. Chekhova’s connections with both male and female operatives allowed for an exchange of knowledge and tactics, enhancing their collective effectiveness. This collaborative approach underscored the importance of teamwork in successful espionage endeavors during her time.
Through her strategic initiatives, Olga Chekhova’s role as a Russian spy significantly impacted intelligence operations, showcasing the capabilities and dedication of female agents in a predominantly male-dominated field.
Recruitment and Training
Olga Chekhova’s recruitment into the world of espionage was marked by a unique combination of her background and circumstances. Born into an influential Russian family, her connections facilitated her entry into intelligence.
Chekhova underwent extensive training to prepare her for the complexities of espionage. This training included not only the acquisition of spycraft skills but also language proficiency and cultural understanding, which were vital for her operations abroad.
Her ability to effortlessly navigate high society also played a critical role in her effectiveness as a Russian spy. Chekhova was trained to gather intelligence while maintaining her cover, employing charm and intellect to extract valuable information from her targets.
This blend of personal attributes and formal training equipped Olga Chekhova to carry out significant missions, establishing her as a notable figure in the realm of espionage and illustrating the intricate pathways of intelligence recruitment and preparation.
Key Missions and Operations
Olga Chekhova, a prominent figure in espionage, undertook several key missions that showcased her skills and resourcefulness as a Russian spy. Her operations primarily targeted crucial political and military information during a volatile period in European history.
See also John Cairncross: The Infamous Cambridge Spy Revealed
One notable mission involved gathering intelligence in Germany during World War I. Chekhova skillfully navigated high society, leveraging her connections to obtain vital information regarding enemy strategies and plans. Her ability to blend in allowed her to gather insights that proved indispensable to Russian intelligence.
Another significant operation included her work in the Caucasus region, where she discreetly monitored enemy troop movements. Utilizing her charm and social acumen, Chekhova gathered valuable data that contributed to several strategic decisions made by Russian military leaders.
In addition to these missions, Chekhova collaborated with various intelligence networks, showcasing her adaptability and commitment to her role. Her contributions not only supported Russian objectives but also highlighted the pivotal role of women in intelligence during this era. Through her impressive record of key missions, Olga Chekhova remains an important figure in the annals of espionage history.
Collaborations with Other Agents
Olga Chekhova’s effectiveness as a Russian spy was significantly bolstered by her collaborations with other agents. During her career, she was part of a network of intelligence operatives who played vital roles in conveying information and executing missions.
Chekhova often partnered with key figures in the Soviet intelligence community. These relationships allowed her to leverage their skills and resources, enhancing the overall effectiveness of their operations. In certain missions, she worked alongside male agents who were instrumental in gathering critical intelligence from various locations.
This collaboration extended beyond simple partnerships; it included extensive sharing of information and tactics. Together with other agents, Chekhova coordinated efforts to infiltrate enemy strongholds, demonstrating a high level of trust and cooperation essential for successful espionage during her time.
The synergies created through these alliances not only amplified the impact of her efforts but also established her as a respected figure in the realm of intelligence, solidifying her place in history as a noteworthy Russian spy.
Intelligence Techniques Employed by Olga Chekhova
Olga Chekhova employed various intelligence techniques that underscored her effectiveness as a Russian spy. Her approaches encompassed a blend of traditional espionage methods and innovative strategies reflecting her cultural background and unique position.
One prominent technique was her ability to leverage her social connections. As a prominent actress, she utilized her public persona to gain access to influential circles, facilitating intelligence gathering through targeted conversations and observations. This made her a valuable asset in the realm of informal intelligence collection.
In addition, Chekhova practiced meticulous surveillance. She often conducted reconnaissance missions disguised as an ordinary socialite, which allowed her to move discreetly across borders and report on military activities. Her keen observational skills enabled her to provide detailed accounts on enemy actions.
Lastly, she engaged in coded communications. By employing various methods to encrypt her messages, Chekhova ensured that sensitive information remained protected from interception. This combination of social acumen, surveillance, and secure communication formed the backbone of Olga Chekhova’s effectiveness as a Russian spy.
The Historical Context of Her Espionage Activities
Olga Chekhova operated during a tumultuous time in early twentieth-century Europe, particularly against the backdrop of World War I and the political upheaval surrounding the Russian Revolution. Her activities as a Russian spy unfolded amidst an environment ripe for espionage, with various nations seeking intelligence on each other’s strategies and weaknesses.
This period saw the emergence of more sophisticated intelligence operations, influenced by technological advancements and the growing importance of psychological warfare. Chekhova’s role as a spy was shaped by this context, necessitating innovative methods for gathering information and executing missions.
Additionally, the shifting allegiances and complex political landscapes during her time contributed significantly to her effectiveness. As a member of the Russian expatriate community in Germany, Chekhova was well-placed to capitalize on her connections while navigating the espionage undercurrents of the era.
Thus, the historical context of her espionage activities not only influenced her personal choices but also framed the broader narrative of intelligence work, highlighting the vital role that individuals like Olga Chekhova played in the fabric of military intelligence during a pivotal moment in history.
Legacy of Olga Chekhova in Spy History
Olga Chekhova has left an indelible mark on the landscape of espionage history, illustrating the complex roles women have played in intelligence operations. Her contributions as a Russian spy highlight the critical involvement of female operatives during tumultuous periods, shaping the dynamics of military intelligence.
Her legacy is particularly significant given the socio-political climate of her time. The duality of her life as an actress and a spy embodies the intricate balance between public persona and covert activities. This duality has inspired narratives and discussions around the capabilities of women in espionage.
See also The Impact of William J. Donovan on OSS and Military Intelligence
Furthermore, Chekhova’s techniques and approach to intelligence gathering have influenced contemporary practices. Her ability to blend into varied social contexts while extracting valuable information continues to resonate with modern intelligence strategies, emphasizing adaptability and subtlety in espionage.
In examining the legacy of Olga Chekhova, we see a pioneering figure who not only contributed to Russian intelligence but also paved the way for future generations of female spies. Her story serves as a reminder of the essential roles women have played throughout history in the often male-dominated field of espionage.
Controversies Surrounding Olga Chekhova
Olga Chekhova’s legacy as a Russian spy is not without its controversies, particularly regarding her duplicity and the moral implications of her espionage activities. Accusations of betrayal have surfaced, questioning her loyalty to her country and the ethics of her operations.
Her involvement in high-stakes espionage often placed her at the center of operational failures and successes, leading to mixed perceptions. Some historians argue that she prioritized personal ambition over national interest, which complicates her narrative.
Allegations surrounding her recruitment process have raised eyebrows as well. Critics suggest she leveraged personal connections and manipulation to ascend the ranks within intelligence circles. This perceived opportunism contributes to the polarized views of her contributions.
Lastly, Chekhova’s portrayal in media and popular culture has sparked debate. Some defend her as a pioneering female figure in intelligence, while others condemn her tactics. This ongoing discourse emphasizes the complexities of her role as a Russian spy amidst an evolving historical context.
Olga Chekhova’s Contribution to Russian Intelligence
Olga Chekhova made significant contributions to Russian intelligence through various aspects of her espionage activities. Not only did she utilize her status as an actress to gather information, but she also effectively navigated social and political circles to extract valuable intelligence.
Her operational contributions included:
Engaging in clandestine missions that provided critical insights into enemy activities.
Establishing covert communication channels with other operatives, enhancing information exchange.
Assisting in the recruitment and training of new agents, thereby strengthening the espionage network.
Chekhova’s adeptness in blending her public persona with her secretive work allowed her to operate with a level of success that was remarkable for her time. Her legacy continues to influence methods in the field of intelligence, exemplifying the potential of charismatic agents in espionage.
Comparisons to Other Female Spies
Olga Chekhova’s contributions to espionage can be compared to notable contemporary female spies who have left indelible marks on intelligence history. One prominent figure is Virginia Hall, an American agent during World War II. Hall’s ingenious use of disguises and local habitats exemplified a strategic approach akin to Chekhova’s methods.
Another remarkable figure is Mata Hari, a Dutch exotic dancer accused of spying for Germany during World War I. While Chekhova operated within a more structured intelligence framework, both women utilized their charisma and cultural understanding to penetrate elite circles, gathering invaluable information.
In contrast, other female spies like Nancy Wake and the Soviet Union’s Anna Chapman demonstrated different operational styles. Wake was known for her daring resistance activities in occupied France, while Chapman’s recruitment tactics in modern espionage reveal shifts in methodologies adapted to technological advances. Each of these women, including Olga Chekhova, showcases the diverse roles women have played in intelligence, reflecting their unique strengths and the evolving landscape of espionage.
Notable Contemporary Spy Figures
Olga Chekhova’s contributions to espionage can be contextualized alongside notable contemporary spy figures who have shaped modern intelligence. One such individual is Anna Chapman, a Russian agent arrested in the United States in 2010. She highlighted the ongoing relevance of female operatives in intelligence work. Her case against the backdrop of initially Cold War-era spy narratives shows how the dynamics of espionage have evolved.
Another significant figure is Aldrich Ames, a former CIA officer who was arrested for espionage against the United States. Although a male figure, Ames’s actions underscored the importance of counterintelligence and the vulnerabilities within agencies that Chekhova also navigated in her era.
Mata Hari, a legendary figure from World War I, symbolizes the iconic allure of female spies, not unlike Chekhova. The exploits of these figures contribute to a richer understanding of the vital role women and men have played in intelligence operations throughout history.
See also The Dual Life of Anthony Blunt: Art Historian and Spy
These contemporary examples reflect the legacy of Olga Chekhova as a Russian spy and how her impact resonates within current discussions about espionage. Each of these figures’ stories serves to illustrate evolving techniques and methodologies within the realm of intelligence.
Contributions of Women in Intelligence
Women have historically made significant contributions to intelligence operations, often defying societal expectations to assume critical roles. Figures like Olga Chekhova exemplify the essential part women play in espionage during turbulent times, showcasing their resourcefulness and adaptability.
Throughout history, female spies have utilized their positions in society to gather intelligence effectively. Chekhova’s involvement in Russian intelligence underscores how women leveraged social connections, charm, and cunning to manipulate information and achieve strategic objectives for their countries.
The impact of women in intelligence is also reflected in the various techniques they employed. Women such as Virginia Hall and Nancy Wake engaged in diverse roles, from field agents to analysts, proving their versatility in operations. Their distinct contributions paved the way for future generations of intelligence professionals.
Moreover, the emergence of women in espionage has led to a broader recognition of their capabilities across nations. The legacy left by agents like Olga Chekhova promotes the idea that intelligence work relies not only on traditional skills but also on ingenuity, showcasing the evolving landscape of military intelligence.
Common Characteristics and Differences
Olga Chekhova’s experience as a Russian spy shares commonalities with other notable female spies of her time, including a blend of charm, intelligence, and adaptability. These characteristics enabled her to navigate complex social environments, often under the guise of a performer or socialite, to gather vital intelligence.
In contrast to her contemporaries like Mata Hari, who relied heavily on seduction, Chekhova utilized a more multifaceted approach that combined her artistic talents with wit and strategic communication. Her ability to connect with influential figures was critical in maintaining her cover and executing her missions.
While women in intelligence often faced societal constraints, figures like Chekhova demonstrated resilience and resourcefulness. The common thread among these spies is a commitment to their missions, albeit employing varying strategies reflective of their unique backgrounds and situations. Chekhova’s contributions to Russian intelligence exemplify how common traits can manifest in distinct ways, shaping individual legacies in espionage history.
The Influence of Olga Chekhova on Modern Espionage
Olga Chekhova’s contributions to espionage have influenced modern intelligence practices, especially in the recruitment and utilization of female operatives. Her adeptness in navigating complex social landscapes showcased the strategic advantages of leveraging charm and guile in espionage activities.
The emphasis on psychological manipulation, as exemplified by Chekhova, remains relevant. Contemporary intelligence agencies increasingly train operatives to engage in similar tactics, focusing not just on physical prowess but on interpersonal skills and emotional intelligence to extract information.
Her legacy also underscores the importance of collaboration in intelligence work. Modern espionage often relies on network formation, where agents from various backgrounds work together. Chekhova’s relationships with other spies and informants highlighted the synergy that can arise from diverse capabilities.
Lastly, Chekhova’s story serves as an inspiration, encouraging the recruitment of women in intelligence. Her successful operations demonstrate that female agents can excel and contribute significantly, reshaping narratives around gender roles in military intelligence and espionage.
Revisiting the Story of Olga Chekhova Today
The story of Olga Chekhova continues to resonate today as a captivating account of espionage during a tumultuous period in history. Her unique position as a Russian spy offered insights into the strategies employed by women in intelligence, highlighting both their contributions and challenges.
Scholars and historians increasingly explore Chekhova’s life, examining her operations against the backdrop of World War I and the Bolshevik Revolution. Her involvement provides a fascinating lens through which to analyze the female experience in espionage.
Contemporary media representations often romanticize her narrative, portraying Chekhova as a cunning and resourceful figure. This portrayal serves not only to celebrate her accomplishments but also to inspire modern discussions regarding the role of women in intelligence networks today.
As interest in historical espionage grows, Olga Chekhova remains a pivotal figure in understanding the evolution of intelligence work. Her story contributes to ongoing conversations about the paradigm shift in perceptions of female spies, establishing her as a lasting symbol in the annals of spy history.
Olga Chekhova’s multifaceted contributions as a Russian spy have left a lasting impact on the world of espionage. Her unique blend of cultural influence and intelligence acumen provides valuable insights into the role of women in military intelligence.
As we revisit the story of Olga Chekhova today, it becomes evident that her legacy continues to inspire and inform modern espionage practices. The complexities of her life and work underscore the crucial roles female operatives have played throughout history.
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Alex Luthor aka Alexander Luthor Jr. | Earth 3
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Gender:Male
Age:Unknown
Location:Unknown
Character Stats
Real Name: Alexander Luthor, Jr.
Current Alias: Alexander Luthor
Aliases: Lex Luthor
Identity: Public
Alignment: Bad
Affiliation: The Society, (disguised as Lex Luthor).
Relatives: Alexander Luthor, Sr. (father, deceased), Lois Lane-Luthor (mother, deceased)
Universe: Earth-Three
Base Of Operations: Various locations on "New" Earth. formerly, the Monitor's orbiting platform; Pocket "Paradise" dimension.
Legal Status: Formerly a legal citizen of Earth-Three. (Depsite his apparent age, he was a minor at the time of Earth-Three's destruction.)
Gender: Male
Height: 5' 11"
Weight: 164 lbs (75 kg)
Eyes: Green
Hair: Red
Unusual Features: When fully powered, Alex Luthor's body would dimensionally shimmer with the appearance of a star-field.
Citizenship: American
Marital Status: Single
Occupation: None
Education: No formal education
Origin: Rocketed from the dying Earth-Three by his parents, Alexander Luthor was aged dramatically and gained extraordinary power upon passing through an anti-matter storm.
Place of Birth: Earth-Three
Place of Death: Gotham City
Creators: Marv Wolfman, George P�re
1st Appearance: Crisis on Infinite Earths #1
Died: Infinite Crisis #7
Powers/Abilities
Matter/Anti-Matter Manipulation
Energy Bursts
Shape-Shifting
Duplication
Matter Recreation/Duplication
Inter-Dimensional Portals: The trip through the antimatter wall of the Anti-Monitor during the first Crisis combined with the protection of his father's devices resulted in Alexander having control over matter and anti-matter. He was able to use these powers to act as a dimensional bridge that allowed positive-matter beings to cross into the anti-matter universe and survive. His powers could also be used offensively, as bursts of energy, and allowed Luthor to change the molecules of his own body in order to alter his appearance. he apparently also had the ability to create duplicates of himself that could exist independently of the his "main" identity.
By using the residual energies of the Anti-Monitor's corpse as well as the raw magic that had been freed during the Spectre's rampage, Luthor was able to build dimensional machinery that increased his native power to a massive extent. He became able to create planets that corresponded to the various alternate Earths that had existed prior to destruction of the multiverse, and was able to transport the original inhabitants of those realities to his duplicates.
Genius-level intellect: Like the Luthors of many other realities, Alexander was brilliant. He was not only able to penetrate the mysteries of the post-Crisis reality, but was able to create the machinery needed to alter reality as we know it.
Equipment: Luthor seized the satellite Brother Eye, which had been created by Batman to monitor superhuman activity. He also created various devices of his own, most notably an inter-dimensional "tuning fork" that was built from the remains of the Anti-Monitor and powered by raw magical energy.
Weaknesses
Limitations: Luthor could not actually change history or bring back the original versions of the Earths that existed before the Crisis. Though Luthor was able to create many facsimiles of the infinite realities, these "Earths" were brittle and fragile, and many were completely devoid of life. The duplicates of his reality's people were also imperfect, and it seemed that Luthor did not have the ability to truly physically alter the actual individuals who existed post-Crisis.
Overuse of his powers would cause Luthor to weaken.
History
Birth on Earth-Three
Alexander Luthor was born in the alternate universe that contained Earth-Three. On Earth-Three, there were numerous super-villains but only one hero. Earth-Three was for years terrorized by its equivalent to the JLA, an evil organization known as the Crime Syndicate of America. The only man to successfully defend that earth from the Syndicate was Alexander Luthor, that Earth's only super-hero. During the Crisis on Infinite Earths, Earth-Three and the rest of its universe were attacked by the Anti-Monitor in his quest to overwhelm his matter-based counterpart and recreate the universe in his own evil image. Though the Anti-Monitor succeeded in destroying Earth-Three, Luthor and his wife, the Lois Lane of that reality, managed to protect and save their only son, the infant Alexander, Jr. Placing him in a special experimental transportation capsule, Luthor, Sr. managed to send his son through the dimensional barriers and the anti-matter wave and into the relative safety of the Earth-One universe, where Luthor had previously met the Justice League and other heroes. There, the infant Luthor materialized on the abandoned Justice League Satellite, where he was discovered and taken by Harbinger at the behest of The Monitor.
Crisis on Infinite Earths
The Monitor soon discovered that Luthor's passage through the anti-matter storm had granted him power over both matter and anti-matter, while also dramatically accelerating the child's aging process. Within days, Luthor had both the body and mental faculties of a young adult. He also had the power to serve as a human bridge between universes, an ability that would become critical when the heroes of the various positive-matter universes needed to enter the Anti-Monitor's realm and defeat him. Following the Monitor's death, Alexander Luthor (along with Harbinger and Pariah) led the heroes and villains of six universes against the Anti-Monitor, badly injuring him (though ultimately not killing him).
Luthor's final act of heroism would also prove to be his undoing. After the surviving universes had been merged and their history altered, a resurgent Anti-Monitor was only defeated after Luthor was used as a vessel for Darkseid's Omega Effect and the Earth-Two Superman finally pounded the weakened Anti-Monitor into submission. After the Anti-Monitor's death, and with destruction for the remaining heroes approaching, Luthor revealed to Superman that he had saved Superman's wife, Lois Lane-Kent, from being erased from existence as so many others had. The threesome, as well as the Superboy of Earth-Prime, no longer had a place in the new Post-Crisisuniverse, but could live eternally in a paradise-like dimension that Luthor transported them to using what he believed to be the last of his dimensional powers.
Witnesses to New Earth
From Luthor's "paradise," the four un-aging refugees of the Pre-Crisis universe were able to watch the events that occurred on New Earth for many years. The dark direction that events seemed to be taking on the new Earth increasingly made Luthor and his companions question whether justice had been served in the universe's reconstruction. Meanwhile, as he kept tabs on this new Earth, Luthor found that he and his companions could have an effect on that reality even though they could not directly enter it. An embittered Luthor encouraged the sad and lonely Superboy-Prime to give into fits of powerful rage which had the effect of altering Earth's timeline in various subtle ways. With every "punch" at the walls of reality, Earth's timeline changed and people who should have been dead found themselves with new existences. Luthor, having slowly been driven mad by his desperation and the images he was seeing, also noticed that his dimensional powers were returning.
Beginning of the Infinite Crisis
When it became obvious that Lois was dying despite the best efforts of her companions, Luthor easily convinced a pessimistic Superman to muster the strength to break down the walls of their false paradise once and for all. After relocating to Antarctica of the one Earth, Luthor set in motion a master plan that would have devastating consequences for the universe. While assuring Kal-L that they could put reality back together without the apparent "darkness and corruption" that had arisen since its reformation, Luthor secretly had Superboy move entire planets in an effort to shift the center of the universe away from Oa, subsequently provoking galactic war between Rann and Thanagar. Using the resources of a commandeered Brother Eye, Luthor gathered intelligence on the super-powered community of the new combined universe and mustered the forces of the OMACs in attacking an increasingly-fragmented heroic community. Meanwhile, while disguising himself as the Lex Luthor of the current reality, Luthor preyed upon the fears of the super-villain community in order to form a new Society of Villains which, united, could bring down the heroes of New Earth, and build the machines Luthor would need to fulfill his ambitions. Finally, Luthor struck at the mystical forces of the universe by manipulating the Spectre (currently untethered by a human host), into hunting down and destroying magic itself.
With his plans set in motion, Luthor became confident enough to finally reveal his presence to Kal-L's cousin, Power Girl, who had until recently not remembered that she was also a survivor of the former Earth-Two. Luthor told her that the current reality was corrupt because it had used Earth-One as a template, and that, with her help, he and her cousin could re-form the universe with Earth-Two as its basis. Claiming that this new reality would help Lois Lane-Kent recover from her illness, he was able to convince a distraught Kal-L to go along with his plans, even though Power Girl and Lois herself remained unsure.
Master Plan
As his schemes reached fruition, Alexander Luthor was finally ready to reveal his ultimate plan. By using the databases of the Brother Eye, Luthor had managed to determine which of the modern reality's super-powered beings had originally come from the various "infinite Earths" of the pre-Crisis universe, and which beings could be used to direct the outcome of Luthor's own universe. He used the Society to build a massive dimensional "tuning fork" (which the villains mistakenly believed would be used to erase the memories of their enemies), that would allow Luthor to take advantage of the raw power brought about by the change in the nature of magic that had occurred during the Spectre's war against sorcery. Focusing the device on the new center of the universe (a point concurrent with the center of the former Earth-Two's universe), Luthor would be able to split the universe into a multiverse once again, and then sift through the realities to take the pieces he wished to retain and destroy those he wished removed from existence.
Ultimate Failure
With the massive device activated (and representatives from various realities chained to it), Luthor began taking the steps he believed would result in the creation of a new universe formed by his own will. Though he appeared to be successful in recreating the multiverse, his multiverse was not, in fact, the reality that had existed before the previous Crisis. The recreated Earth-Two was a barren and unpopulated husk, and ultimately proved unable to save the life of Lois Lane-Kent. It was this revelation that finally snapped Kal-L out of his deluded megalomania. Meanwhile, Superboy-Prime learned that his own universe would not and could not be brought back, and that, in fact, that had never been Luthor's true intention. This caused him to go on a mad spree of destruction that could not be stopped by Luthor or anyone else.
Luthor was then discovered by several heroes, including Batman, who briefly considered killing him after the latter blasted and seriously injured Nightwing. Wonder Woman, still reeling from the repercussions of her pre-meditated killing of Maxwell Lord, managed to stop Batman from making the same mistake she had, and the heroes left Luthor alone as another group of heroes attempted to stop the murderous rampage of Superboy-Prime. Meanwhile, Luthor's plan was ultimately defeated when the Superboy of new Earth sacrificed his life in destroying Luthor's machinery and freeing the people Luthor had kidnapped and exploited.
Unable to attain his goal and apparently de-powered, Luthor went into hiding, but his respite would be brief. The Joker, angry at having been ignored during the events of the past year and not allowed to "play" with the Society, joined with Lex Luthor in tracking Alexander down. Lex taunted Alexander, stating that the latter's biggest mistake had been in underestimating him. The Joker then proceeded to severely burn half of Alexander's face with his trademark acid, and apparently killed Alexander by shooting him in the face.
Aftermath
Lex later used Alexander's corpse as a cover for Lex's own criminal activities. Having modified Alexander's corpse so that it would more closely resemble Lex's own body, and after planting colored contact lenses in his eyes, Lex Luthor revealed Alexander to the press and explained that Alex was an extradimensional being who had been impersonating Lex for some time. Having effectively disposed of the criminal charges and bad press that had arisen during the end of Luthor's presidency, Lex was able to return to his civilian guise of a generally law-abiding businessman and scientist.
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https://www.youtube.com/watch?v=0R-DpOZ_b-Y&list=RD44tQqvXmaTU&index=18
.. copy and pasted from the website called "Daily Galaxy" .. article written by Arezki Amiri .. Nightingale Mist the second: "Jalia Pierce again" .Juggernaut. Dazzler. Logan.
Daily Galaxy
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A water reservoir big enough to fill trillions of Earth oceans discovered orbiting a black hole
Story by Arezki Amiri • 20h •
4 min read
Astronomers Just Found Something Massive Hiding Near A Distant Black Hole. Credit: Shutterstock | The Daily Galaxy --Great Discoveries Channel
Astronomers Just Found Something Massive Hiding Near A Distant Black Hole. Credit: Shutterstock | The Daily Galaxy --Great Discoveries Channel
© Daily Galaxy CA
In a remote sector of deep space, researchers have identified something unexpected — a signature that hints at molecular complexity on a scale rarely seen.
The signal originates from a location more than 12 billion light-years from Earth, placing it at a time when the universe was still young and formative. It comes from a source astronomers have studied for years, but recent observations revealed something new.
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Data collected from multiple observatories across the globe confirmed the presence of a familiar but extraordinary compound. This detection, made under physical conditions once thought to be too extreme, now reshapes how scientists view the emergence of chemical building blocks in the early cosmos.
A Massive Reservoir Hidden in Plain Sight
The discovery centres on quasar APM 08279+5255, a powerful galactic nucleus fuelled by a supermassive black hole estimated to weigh 20 billion times more than the Sun. Quasars are some of the brightest and most energetic objects in the universe, typically located at the heart of distant galaxies.
Related video: Something Is Hiding Beyond the Edge of the Universe (Astrum)
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This particular quasar lies so far away that its light began travelling toward Earth more than 12 billion years ago, when the universe was less than 10 percent of its current age. Despite its distance, APM 08279+5255 has drawn attention for years due to its extreme luminosity.
Recent analysis by teams at NASA’s Jet Propulsion Laboratory (JPL) and Caltech has revealed that this quasar is surrounded by a colossal cloud of water vapour. The quantity is staggering: the equivalent of 140 trillion times the volume of all Earth’s oceans.
Observed Spectrum Of The Distant Quasar Apm 08279+5255
Observed Spectrum Of The Distant Quasar Apm 08279+5255
© Daily Galaxy CA
The presence of water was confirmed using multiple instruments, including the Z-Spec spectrometer at the Caltech Submillimeter Observatory in Hawaii, and the Combined Array for Research in Millimeter-Wave Astronomy (CARMA) in California. A separate group led by Caltech physicist Dariusz Lis also identified a single water signal in 2010 using the Plateau de Bure Interferometer in France.
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Physical Conditions Beyond Expectations
The quasar’s immediate surroundings, where this water vapour exists, are unlike the environments typically associated with molecular gas. These regions are characterised by intense radiation, strong gravitational forces, and elevated temperatures.
Measurements suggest that the water-bearing gas cloud maintains a temperature around minus 63 degrees Fahrenheit. While this would be considered cold by Earth standards, it is hotter and denser than similar interstellar gas found in the Milky Way or other local galaxies. The gas is roughly 300 trillion times less dense than Earth’s atmosphere, yet still unusually dense for such a distant cosmic environment.
In addition to water, researchers identified carbon monoxide, a molecule commonly used to trace interstellar gas. The coexistence of water and carbon monoxide in such quantities suggests the region contains chemically enriched material capable of fuelling black hole growth, triggering star formation, or dispersing into the broader galaxy.
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This profile contradicts earlier assumptions that water in space primarily forms in cool, quiescent molecular clouds, where it helps interstellar gas collapse to form new stars. The environment near APM 08279+5255, however, is markedly more active and irradiated, as explained by Earth.com’s detailed coverage.
Rethinking Water’s Role in Cosmic Evolution
The early presence of water in such a location challenges long-held timelines about molecular formation in the universe. Astronomers have generally associated the emergence of complex molecules with more stable, evolved galaxies.
Finding water at this scale and distance indicates that interstellar chemistry developed under a wider range of conditions than models had predicted. It also suggests that the building blocks for habitable environments may have formed earlier — and more often — than previously thought.
Quasars like APM 08279+5255 serve as natural laboratories for understanding the structure and dynamics of the early universe. Their high luminosity allows researchers to study gas flows, chemical enrichment, and galaxy assembly from a vantage point that would otherwise be inaccessible.
Though the detection does not imply the presence of life or planets in this system, it demonstrates that life-supporting elements were present within the first billion years after the Big Bang.
Observations and Future Applications
The research was conducted by scientists from institutions including JPL, Caltech, the University of Colorado Boulder, the University of Maryland, the University of Pennsylvania, and the Institute of Space and Astronautical Science in Japan. Funding came from the National Science Foundation, NASA, and supporting research institutions.
Instruments capable of observing submillimetre wavelengths were essential to the detection. These frequencies, located between radio and infrared light, are ideal for capturing molecular signatures in redshifted light from distant sources.
The Z-Spec spectrometer, designed to detect faint emissions from molecules like water, was critical in identifying not just a single line, but multiple transitions in the water spectrum. This confirmed both the presence and the vast scale of the water reservoir.
Future missions, including observations from the James Webb Space Telescope, are expected to extend the reach of such detections. They will target other quasar environments and earlier cosmic epochs, helping to refine current models of black hole evolution, interstellar chemistry, and the physical processes that shaped the early universe.
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Monday, December 29, 2025
.. article copy and pasted from the website "Moneycontrol" .. article written by Moneycontrol News .. Nightingale Mist the second: "Still Jalia Pierce"
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Big bang in reverse: Stars, planets and universe may collapse into one massive fireball, scientists say
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Big Bang in reverse: Stars, planets and Universe may collapse into one massive fireball, scientists say
Big Bang in reverse: Stars, planets and Universe may collapse into one massive fireball, scientists say
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Scientists are revisiting the universe’s final destiny after new findings. The study comes from South Korean researchers analysing cosmic expansion. It suggests the universe may collapse rather than tear apart. The research focuses on dark energy losing strength. This shift could allow gravity to dominate cosmic behaviour. Such a change points towards a possible Big Crunch.
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Dark energy shows signs of weakening
For decades, scientists believed expansion would continue forever. That view changed after discoveries made during 1998 observations. Astronomers then identified dark energy accelerating universal expansion. This force appeared powerful enough to overcome gravity permanently. The theory predicted a violent ending called the Big Rip. Atoms, stars, and galaxies would eventually be destroyed.
The new study challenges that long-held cosmic picture. Researchers reanalysed supernova data gathered nearly three decades ago. Those explosions originally revealed dark energy’s existence to scientists. Professor Young Wook Lee led the Yonsei University team. They adjusted earlier measurements using updated analytical models. Their results showed cosmic acceleration slowing gradually over time.
According to Lee, this alters the universe’s predicted fate. Dark energy appears less constant than previously assumed. As it weakens, gravity may regain cosmic control. This could pull galaxies back towards each other. The scenario makes a Big Crunch increasingly possible.
Related video: Why the Universe Is Growing Without Anything Actually Moving (Veritasium)
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Why the Universe Is Growing Without Anything Actually Moving
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A Big Bang in reverse
Under this model, expansion would eventually stop completely. Gravity would then cause the universe to contract inward. This process mirrors the Big Bang, but reversed. Intergalactic matter would begin falling towards a central core. Stars and planets would be dragged into intense compression. Heat would rise as matter collapses under pressure.
A massive fireball would form at the universe’s centre. Space and time would gradually lose meaning entirely. All remaining matter would merge into extreme density. Nothing would remain outside this final burning core.
Professor Ofer Lahav commented on the study’s implications. He spoke to the BBC about dark energy variability. Fluctuating dark energy would challenge modern physical understanding. Such behaviour would force major changes in cosmology.
What this could look like from Earth
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Despite interest, many scientists remain unconvinced by Lee’s theory. Most still support endless expansion driven by constant dark energy. Even so, earlier studies explored how a Big Crunch appears. From Earth, stars would seem increasingly closer together. Galaxies and clusters would slowly merge across the sky. Stellar collisions would become more frequent over time.
The cosmic microwave background would heat dramatically. Temperatures could reach thousands of degrees Celsius. Currently, this radiation sits just above absolute zero. These changes would unfold over immense cosmic timescales.
For now, the universe continues expanding outward. Whether it ends expanding or collapsing remains uncertain. The debate shows how much remains unknown.
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.. Agnes Christie Pax: "Today is a Monday"
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.. Metalstep .. "Death Dealer" .. the enigma tng.. is the official, quintessential soul of clytemnestra cassandra music of.. this planet apocalips Winona Ryde Lady Styx scale theme.. the most innocent, sacred Nikita Bellucci of all is Queen of Mojo.. three dollars.. stochastic disturbance terms.. issue eight twenty three paul dini / joe benitez poison ivy pamela isley kate moss megan d. iseult "nude catwoman" ryder.. stochastic disturbance terms.. three dollars..
https://www.youtube.com/watch?v=44tQqvXmaTU&list=RD44tQqvXmaTU&start_radio=1
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https://www.youtube.com/watch?v=kBH-dO68ooA&list=RDkBH-dO68ooA&start_radio=1
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King Lear The Fool Character Analysis
Characters King Lear The Fool Character Analysis
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Throughout the play, the Fool proves to be one of the only characters to whom King Lear listens, even when he speaks difficult truths. He occupies a unique position that allows him to offer social commentary without fear of retribution. The Fool also provides a sense of humor that cuts through intense, tragic moments, offering the audience a sense of relief as well as an alternative perspective through which they can view the action. As a result of these two primary functions, King Lear’s Fool represents a prime example of the Shakespearean fool archetype. This type of character, a commoner with the ability to see reality in a way that the other characters cannot, appears in numerous Shakespearean tragedies. In the case of King Lear, the Fool attempts to help Lear understand the grave mistakes he has made in banishing Cordelia and leaving the kingdom to Goneril and Regan. In Act I, Scene 4, for example, the Fool exclaims that Lear is truly the foolish one for giving up his power and rendering himself “nothing.” This harsh critique emphasizes that Lear is largely to blame for the unfolding tragedy, a point that he refuses to believe.
Despite Lear’s frustration with the Fool’s commentary, however, he does not force him to leave in the same way that he banishes Cordelia and Kent. The Fool’s continued presence by Lear’s side hints at the unspoken trust between them. Later scenes, including Act I, Scene 5 and Act III, Scene 2, further reinforce the Fool’s deep loyalty to the king as he tells jokes in order to make him feel better and tries to talk him out of wandering the stormy heath. Strangely, the Fool disappears from the play entirely after Act III. Some scholars argue that Cordelia takes over the Fool’s role as Lear’s protector in the final two acts, and others suggest that the same actor originally played the roles of both the Fool and Cordelia.
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.. Nightingale Mist the second: ..".. pure magic.. william and ethan are pure magic together.. two of the best actors.. of two handfulls of actors and actresses.. in the whole history.. of human civilization.. and far before.." .. three dollars.. stochastic disturbance terms.. issue eight twenty three paul dini / joe benitez poison ivy pamela isley kate moss megan d. iseult sarah "linda danvers karah" polley.. stochastic disturbance terms.. three dollars..
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Sunday, December 28, 2025
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.. Silverhawks Two Thousand and Twenty Five: "Where the wild things are" .. and the wind tunnel.. or.. the Sheppard Centre Bus Station tunnel in the February or March of the year Two Thousand and Nine.. three dollars.. stochastic disturbance terms.. issue eight twenty three paul dini / joe benitez poison ivy pamela isley kate moss megan d. iseult arianna "emanuelle dekobray silverhawk panda rider" zucker.. stochastic disturbance terms.. three dollars..
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.. track one megan gale wonder woman.. track one megan gale wonder woman.. track one megan gale wonder woman.. of "Gowan Return of the Strange Animal".. track one megan gale wonder woman.. is the official, quintessential song of.. Golden Age Lex Luthor, played by Kevin Spacey and his friends.. three dollars.. stochastic disturbance terms.. issue eight twenty three paul dini / joe benitez poison ivy pamela isley kate moss megan d. iseult winona horowitz emmanuelle "Fyenshya El" ryder.. stochastic disturbance terms.. three dollars..
.. track two medusa ultron.. track two medusa ultron.. of "Pearl Jam .. ten".. track two medusa ultron.. the song "Even Flow".. should be a Ben Affleck song in the "Daredevil: the man without fear" movies directed by Marty Scorcese.. screenplays for these movies written by Brian Michael Bendis.. three dollars.. stochastic disturbance terms.. issue eight twenty three paul dini / joe benitez poison ivy pamela isley kate moss megan d. iseult nikita "elektra natchios" bellucci embeth "karen page" 'emmy' davidtz victoria "glorianna" hill.. stochastic disturbance terms.. three dollars..
.. Susan Storm Biography Copy and Pasted from comicvine.gamespot ..
377 appearances
The Mighty World of Marvel
The Mighty World of Marvel
180 appearances
Fantastic Four
Fantastic Four
165 appearances
Fantasticheskaya Chetvyorka
Fantasticheskaya Chetvyorka
109 appearances
Invisible Woman last edited by KillerZ on 10/04/24 09:38AM View full history
Origin
Sue Storm and her younger brother Johnny had a pretty normal and happy childhood until their mother died in a car accident. Their father, Dr. Franklin Storm who was a famous and talented surgeon, could not save her life. Unfortunately, Franklin was unable to cope with the loss. As a result he became an alcoholic and a gambler. He got into a scuffle with a loan shark and accidentally killed him, and was later charged with murder, sending him to jail. Sue visited him in jail but her father asked her not to visit anymore and to tell Johnny that he was dead. He felt ashamed of his actions and believed he was not worthy of his children. At this point Sue was forced to become both mother and sister to Johnny. Caring for her brother throughout most their childhood caused Sue to mature far earlier than most children her age. Eventually, the Storm siblings moved in with their aunt who owned a boarding house, and it was there she met the man who would shape her life. Sue met and fell for Reed Richards, a tenant of her aunt's boarding house. Richards was a genius and a brilliant scientist. He was attending Columbia University at the time.
Many years passed before Sue and Reed finally crossed paths again. In an attempt to become an actress, young Susan went to California to pursue acting and met up with Reed once again. Reed was taken by the woman Susan had become and shortly afterward they began dating.
Fantastic Four 1 (1961)
Fantastic Four 1 (1961)
Around this time, Reed was trying to accomplish his lifelong dream of building a spaceship, which he funded with his own money along with government grants. The government threatened to cut off funding as it was tiring of what they considered to be Reed's overly fastidious preparations. Desperate to try out the ship, Reed took his best friend and test pilot Ben Grimm, Sue, and Johnny on an unauthorized trip into outer space. They had all helped in the design, but the ship did not have adequate shielding and they were bombarded by cosmic rays. The ship was forced back into Earth's atmosphere and crashed-landed. The four discovered that the cosmic rays had mutated them and given them superhuman abilities. They decided to use their powers to fight evil and became the Fantastic Four. Their first adventure was against the Mole Man and his monster allies.
Creation
Invisible Woman
Invisible Woman
Sue Storm was created by Stan Lee and Jack Kirby. She first appeared in Fantastic Four #1 in November 1961 as a founding member of the Fantastic Four, Marvel's first superhero team. Stan Lee and Jack Kirby created the Fantastic Four after seeing what a success their main competitor DC Comics' superhero team comic book " Justice League of America" was. It has also been rumored that Stan Lee got his inspiration to create the Fantastic Four from DC Comic's Sea Devils team. If this is true, then Susan Storm was originally Marvel Comic's counterpart to Judy Walton of the Sea Devils. Due to the success of the Fantastic Four, DC Comics produced its own version of the Marvel team (called Challengers of the Unknown.) Thus a character such as June Robbins could be said to be based on Sue Storm (or alternately a DC character based on a Marvel character that was based on a DC character.)
Character Evolution
Silver Age
Dorma almost drowns Sue - FF Annual 1
Dorma almost drowns Sue - FF Annual 1
In the 1960s the silver age represented a significant step forward in the presentation and tone of comic books. While at DC the silver age had been introduced in the early 1960s with a more science-fiction based approach to some of its main characters ( the Flash, Hawkman, Green Lantern) at Marvel the silver age was started anew as the company rose to prominence under Stan Lee. Thus Sue Storm alongside her teammates on the Fantastic Four served as one of the most prominent examples of silver age characters - those based more around the concepts of science as opposed to mysticism. Correspondingly early Fantastic Four stories features many elements such as space travel or miniaturization to new worlds. This aspect of the characters and the team has stayed with them throughout the majority of their appearances since.
During the early days of the Fantastic Four, Sue's role was portrayed generally as somewhat maternal to her teammates. Team leader Reed was the scientist who was always busy in his lab. Team powerhouse Ben Grimm was lonely and depressed over his physical appearance and Johnny Storm acted like an the quintessential rebellious teenager - irresponsible and reckless. In the light of these patterns of behaviour Sue was often presented as a female voice of reason and one that sought to more closely knit the team together. In one variation or another she had continued to maintain this same relationship throughout her many years of publication history with the team (with some periods with notable exceptions.)
As Sue was a character that represented a step forward from the golden age of comics to the silver age, the depiction of the character still remained a changing one as the depiction of women gradually changed in comics. In the late golden age publishers in general had difficulty maintaining interest in superhero themed titles as even such stalwart characters in the industry such as Superman and Batman had difficulties maintaining consistent sales. As this applied to female characters is that they were either outright ignored or that they were given a romantic role in comics (this being the case with Lois Lane and Wonder Woman.) At the time in comics one of the more consistent mediums was that of the romance comic which was ostensibly aimed towards women (and for instance one of Marvel's longest running characters was Millie the Model, a rare case of a golden age success story for the company.) Although the silver age represented a break from this past, female characters still carried the legacy of this depiction of women forward. At DC Comics this was maintained through most male heroes having a female love interest who was essentially there to serve in the damsel-in-distress role (such roles were played by for instance - Iris Allen, Carol Ferris, Lana Lang and Lois Lane.) As an industry standard thus Sue's early appearances had this as a consistent attribute among them.
Thus for instance although Sue's powers would later come to be considered quite powerful her powers (mainly turning only herself invisible) were almost useless on the battlefield and she was frequently portrayed as the helpless female constantly in need of rescue.
This trend was well established in the early days as follows:
Fantastic Four #1 - The legendary cover that began the Marvel Age of Comics had the Invisible Girl a captive of Mole Man's giant green monster friend called Giganto....
Fantastic Four #3 - Miracle Man became the first foe to kidnap the Invisible Girl. He put her into a trance and commanded her to summon her partners. Then when he was unable to defeat the three men, he still ran away with Sue. …
Fantastic Four #4 - The Invisible Girl's first hostage cover, as Sue was captured by the Sub-Mariner.
Fantastic Four #5 - Dr. Doom held Sue hostage to force the others to go back in time.
Fantastic Four #8 - held hostage by the Puppet Master and thanks in large part to a controlled Thing who refused to help Sue escape the Puppet Master's gas attack.
Fantastic Four #13 - hostage of the Red Ghost and his apes.
Fantastic Four #14 - hostage of Sub-Mariner.
Fantastic Four #19 - Sue not only was a hostage of Rama-Tut, aka Kang, but he also sprayed her with a ray gun that took away Sue's will, as he fully intended to force her to be his bride.
Fantastic Four Annual #1 - yet again Sue was held hostage by Sub-Mariner and when Lady Dorma saw how Namor loved Sue, she angrily shouted, "You shall not come between us surface girl!! I'll destroy you first!" Dorma next broke the glass in an attempt to drown Sue Storm, whose hands were helplessly tied behind her back. She tried to swim away from a smiling Lady Dorma, but couldn't get far as long strands of kelp had tightly wrapped Sue Storm up at the bottom of the sea. If a fighting Ben and Namor had not seen Sue by sheer chance, Lady Dorma would have drowned the Invisible Girl!
Fantastic Four#27 - The Sub-Mariner used sleep gas to once again make a hostage of the Invisible Girl for a fourth time, as he just refused to give up on his love for Sue Storm.
Fantastic Four #28 - This issue was a real surprise as the X-Men attacked the Fantastic Four and they took Sue Storm hostage. They did all this while they were under the control of the Puppet Master.
FF #31 - Sue was held hostage by Mole Man and as a result the FF managed to convince Thor and the Avengers to hold off taking any action against Mole Man for 24 hours.
Fantastic Four #38 - Sue was brilliantly captured by Madam Medusa and abducted by the Frightful Four to an isolated Pacific Island. This was the most famous of all of Sue's captures, as it led to the FF's first real defeat and a loss of their powers for the next 1 and 3/4 issues.FF #44 - the cliffhanger ending had Dragon Man kidnap Sue and fly away with her, as Sue pleaded for Reed to help her. Following FF #44, the frequency of Sue's hostage/victim roles began to decrease. There were not any more real hostage roles for Sue for the rest of the Silver Age in the pages of the Fantastic Four comic, though Klaw tried to take her hostage in FF #56 and Sandman briefly seized her in FF #57, in an attempt to stop Mr. Fantastic from interfering with his invasion of the Baxter Building. However, somehow concurrent with FF #70-71, Sue found the time to be captured by the Trapster in the pages of Daredevil #35-36. Here Trapster came very close to finishing Sue off, as he had set a powerful explosive device to go off, as soon as anyone were to enter her room to try and free her from his paste trap. Daredevil was able to snare the bomb and throw it out the window, just before it exploded.
While this remained a characteristic of her portrayal it became less and less of a defining attribute of the stories in which she was involved even if this tendency to be portrayed as helpless still showed up periodically. Looking at the Bronze Age era, for any lovers of 1950's monster films, FF #124- #125 gave us an Invisible Girl as a captive of the Monster/Creature From the Lost Lagoon. (reference Julie Adams in the 1954 classic, "The Creature From the Black Lagoon"). FF #134 had Sue and little Franklin both kidnapped by Dragon Man at the direction of Gideon. FF #171 gave us another storyline that seems to have been loosely based upon a Hollywood film. Here a giant yellow ape named Gorr seized Sue and took her to the top of the Baxter Building. This scene was extremely reminiscent of King Kong at the top of the Empire State Building with lovely blonde actress Naomi Watts, aka Ann Darrow. While these appear to be the only hostage roles for Sue during the Bronze Age, several issues certainly qualify as an example of victim roles, especially in regards to her relationship with Mr. Fantastic. The prime example of this would be FF #115-116. Here Sue's husband was under the control of the Overmind. FF #115 had Reed Richards brutally seize Sue's wrist, forcing both the Human Torch and the Thing to come to her aid.
However, things got much worse in FF #116. There not only did Mr. Fantastic attack her, but he tried to kill Sue and he almost succeeded in choking her to death. Then you had FF #222 where Reed Richards slapped his wife for the first time. Lest we forget, the cliffhanger ending to FF #105 had Sue facing grave danger from the Monster in the streets. Yet when the Torch went to Reed to plead for him to save Sue, he is shown as hesitating and he cannot decide whether to sacrifice the life of his friend, Ben Grimm, or that of his wife, Sue Storm Richards. Finally, there was the marital separation which lasted from the end of FF #130 to the end of FF #149.
It should be pointed out that the Frightful Four made a hostage of Sue two more times in later years:
The second time was in Fantastic Four: The World's Greatest Comic Magazine #9 of 12. This issue had a great cliffhanger ending, as Sue was bonded by the Trapster's paste and left alone with the Frightful Four, while her teammates were trapped in the Negative Zone.
The third time was in Fantastic Four #547-548. This event was quite brutal for Sue, as the Wizard viciously backhanded her face in an effort to make her admit he was superior to her husband, Mr. Fantastic. Nevertheless, Sue showed considerable courage and refused to say the Wizard was superior to Reed Richards.
On a more positive note, her common sense was often of great use to the team. After having her invisibility power for just a few adventures her powers developed even further and she discovered that she could turn other objects invisible as well. Next she discovered she had the power to generate invisible force fields which she used almost exclusively for defensive purposes until she later thought of other offensive and transportation uses for them.
Before leaving the Silver Age era, special mention should be made of perhaps the most dramatic story for Susan during the early years. FF #32 showed her father, Dr. Franklin Storm, sacrificing his life to save the lives of Susan and her teammates. A tearful Sue and her brother, Johnny Storm, were by his bedside when he died.
Bronze Age
The changing attitude of society at large meant that Sue gradually became less and less of a passive, motherly character and became more assertive. The greatest changes in this regard were made during John Byrne's run on Fantastic Four starting in 1981. During this period, Sue suffered a miscarriage and changed her codename to the more mature 'Invisible Woman' (from Invisible Girl). Her powers also became more varied and versatile in combat.
Possibly the most dramatic storyline of the Bronze Age was FF #147- #149. Reed and Sue were having major marital problems. Sue had left Reed and the FF at the close of issue #130. Her feelings of estrangement from Reed were only reinforced when Reed's gun put Franklin into a coma-like state at the end of FF #141. Namor faked what looked like a real effort to win Sue away from Reed, in an attempt to actually anger Reed and save Sue's marriage. This did cause a big fight between Reed and Namor and forced Sue to eventually choose a reconciliation with Reed. It took a few more issues for Sue to return to the team and for Medusa to leave, but FF #149 stands out as a real key issue in the annals of FF history. It was Sue's desertion of Reed and her general attitude during the FF #130's and 140's, that angered one fan so much that she wrote a letter to the FF Fan Page in FF #152. The fan urged the FF Bullpen to kill Sue off! The editorial staff even implied that a few other fans had also called for Sue's demise, though apparently more called for Reed and Sue to divorce. The FF Bullpen conceded that they needed to find a way to make Sue think again.
Fantastic Four 182
Fantastic Four 182
Another stunning storyline of the Bronze Age was when Reed went into the Negative Zone, but got replaced by his evil counterpart, Reed Richards from Counter-Earth, aka The Brute. Sue gradually became suspicious of this fake Reed and at the end of FF #182 they had a confrontation and he transformed from Reed into The Brute. Sue's force field was no match for the strength of the Brute, however. After a series of blows, one final hit finished the force field and knocked the Invisible Girl unconscious. Then in the possibly the scariest Sue Storm cliffhanger ending ever, the Brute threw her out of a Baxter Building window then she plummeted 30-stories.
The Bronze Age issues that defined her character's heroic nature and redefined her power levels were:
Fantastic Four #245 when Sue fought alone for the life of her son
Issue #266 which introduced a new female foe, Karisma, who hypnotized the Thing and then forced him to fight Sue with all his might.
Modern Age
Modern Invisible Woman
Modern Invisible Woman
Sue has continued to grow and develop as a character, becoming a central figure in the Marvel Universe alongside Reed Richards. Sue even became team leader of the Fantastic Four in Reed's absence, when it looked like Dr. Doom and Reed had both been vaporized. There seems little doubt but what Sue's character has changed more from the Silver Age to the Modern Age than any other character in the Marvel Universe.
Romantic Relationships
Reed and Sue
Reed and Sue
After the marriage of Sue and Reed, in the third annual of the series, their relationship signified a break from the traditional depiction of comic book marriages. Generally marriage in comics had represented that the hero would have to go into semi-retirement, however in the case of Reed and Sue it made them all the more dedicated to their team. Thus in terms of a comic relationship theirs has been remarkable consistent over the course of their publication history, the few bumps being created for some dramatic stunts to elicit interest in the series more so than to signify a parting of ways.
Despite being married Sue is nonetheless the constant source of affection of a number of other characters in the Marvel Universe, chiefly among them Namor (this despite the fact that Namor was for a time one of Reed's closest friends and advisers.) This role as romantic interest of other characters ties back into her root to the damsel-in-distress role which she played in her earliest appearances. In some cases in alternate realities these romantic roles (notably with Namor) have been expanded upon. The Sub-Mariner has, in the past, kidnapped Sue many times. He would take her to his sea kingdom. Sometimes, he would challenge Reed to a fight and the winner would have the Invisible Woman. Most of the times she was kidnapped, Mr. Fantastic got mad, since he always loved Sue (since the very first issue actually) and would even threat to kill Namor, but Johnny and Ben would calm him down and help Reed rescue the woman he always loved.
Major Story Arcs
In terms of story arcs, the early Fantastic Four issues were marred by the same problems across the remainder of early silver age series, namely that stories were generally aimed at being self-contained within a single issue (so there were generally no overlapping stories) and the stories focused more on the action and adventure and not so much on the characters. As with many characters thus the early years of the Fantastic Four contained characters that were far more one-dimensional than there modern counterparts. It should be pointed out that the development of certain characters such as Sue Storm over the years greatly helped to break this trend and to focus more on who the characters are as opposed to only focusing on what they do. This became increasingly less the case throughout the silver age.
Thus as the earliest examples of the series attest to, there were not exactly story arcs within the series nor as they pertained to the character. Rather there were recurring themes (both for the characters individually and the team as a whole) which underlay individual issues and stories.
Courtship and Marriage
Fantastic Four 79
Fantastic Four 79
Shortly after the Fantastic Four first assembled, the derelict Prince of Atlantis, Namor regained his memories after a chance encounter with the Human Torch. Johnny recognized the homeless man as Namor and dropped him into a body of water where Namor regained his memories and remembered who he was. Namor immediately returned to Atlantis and found it destroyed. Believing the surface-dwellers were the cause of Atlantis' destruction he went on a rampage. He stopped only when he saw Susan and marveled at how lovely she was. This created an attraction between the two, which ended up causing Susan to have to make a difficult decision. She had to decide whether she wanted to marry Reed or attempt to have a life with Namor. This made her very distraught, but in the end she chose to marry Reed, wanting to be a wife more than a Queen. Even though she had rejected him, Namor has harbored a love and strong attraction for the lovely surface-dweller ever since. Since then Susan has always viewed Namor as a close friend, although she too holds an attraction for him. Sue and Reed's wedding was not without event though as several villains hired by Dr Doom take the opportunity to attack them.
First Pregnancy
Shortly, after marrying Reed, Sue became pregnant with Franklin and took a maternity leave from the team, where Crystal, the then Inhuman girlfriend of the Human Torch, took Sue's place. Sue's pregnancy was riddled with difficulty from the beginning. Due to her exposure to cosmic rays, Sue's body was unable to handle the pregnancy properly which put the lives of both mother and child in danger.
Franklin Richards
Franklin Richards
To save both her and her unborn child, the Fantastic Four entered the Negative Zone to obtain the Cosmic Control Rod of Annihilus. After a long and strenuous battle against the ruler of the Negative Zone, the Fantastic Four made it back to earth where they used the Cosmic Control Rod to facilitate Sue giving birth. Sue's and Reed's son was born and was named after Sue's father, who had saved both her life and the team's life on two separate occasions in their superhero career. In Reed's memory, their first child was named Franklin Benjamin Richards.
Franklin also manifested strong powers at an early age. Annihilus returned and captured Franklin, wanting to amplify his powers and use them for his own ends. Reed had to restrain Franklin's superhuman abilities, fearing that his son's awesome powers might cause mass destruction. Reed shut down Franklin's mind which infuriated Sue. Feeling that Reed didn't view her as his equal, she took Franklin and left him. Sue was on a second hiatus because of this, and Medusa took her place on the team. Sue soon returned after Namor helped the team with a plan to reconcile Reed and Sue. The Atlantean Ruler only wanted Sue's happiness because of his love for her. The plan worked and Sue came back to the team, and back to Reed.
Second Pregnancy
Sue, pregnant again
Sue, pregnant again
Sue and Reed went to The Negative Zone for a holiday and while there conceived another child. Sue then convinced Reed to move to Connecticut and they both used a second last name, the Benjamins. Sue's second pregnancy was even more difficult than the first. It was soon discovered that her blood cells were giving off a radiation that was greatly weakening both mother and child. Admitting that he did not know enough about the field to save his wife and daughter, Reed sought the help of some of the best minds and doctors in the world, including Morbius and Bruce Banner. When none could help Sue, Reed swallowed his pride and asked for help from Doctor Octopus due to his exceptional research in the field. Alas, it was not meant to be, Sue eventually lost the child causing a great emotional strain on her.
Malice: Mistress of Hate
As Malice
As Malice
Because of Sue's loss, and her easily susceptible emotions, Psycho-Man decided to take advantage of the situation. He amplified her negative emotions which resulted in her transformation into Malice, The Mistress of Hate. She turned on the FF and almost single-handedly defeated the team. But Reed theorized that if he could get Susan to feel true hatred for a few seconds, it would alert her to what was really going on. Putting the plan into motion, Reed managed to use Sue's true emotions to snap her back to reality, where Susan immediately realized someone had tampered with her emotions. Sue was freed for a time, but that would not be her last encounter with the Psycho-Man. It should be noted here that after goading Sue for a moment or two, Reed resorted to violence. He gave Sue Storm a brutal slap across the face! (reference FF #281) A few posters on various websites have complained about him hitting his wife, though not in very large numbers. Whether or not Reed's slap of his wife was justified, under the extreme circumstances given, is up to each person to decide on their own. For the record, this was not the first time that Reed had hit Sue. He also slapped her in FF #222, though the panel there was a very small one and did not stand out as much as the slap in FF #281. It would seem that while Reed's goading was important, it was his stinging slap that finally broke Psycho-Man's hold on the emotionally captive Invisible Girl.
Sue poured her heart out to Reed and the rest of the team about the violation of her emotions and how none of them understood how she felt. The team then decided to postpone their search for the Beyonder (who had recently come back to Earth to help Sue deal with the mental strain and violation she suffered at the hands of her enemy).
Fantastic Four 283
Fantastic Four 283
After traveling to the micro-world that Psycho-Man hailed from, the team was ambushed by the Psycho-Man. FF #283's title was "Torment" and that truly does describe what Psycho-Man did to Sue in said issue. He put Sue's mind through one nightmare after another. First he showed her a scene where her brother, Johnny Storm, died in her arms. Then he showed her Ben dying in a lake of acid. Next came an unreal scene where Reed chastized her for being too slow to save Ben and Johnny, only to then have Reed be smashed to death by giant spikes. Last, but not least, Psycho-Man even showed Sue her parents as skeletons speaking to her. Finally, when Sue was on the brink of a complete emotional breakdown, Reed saw a crack in his prison and he squeezed himself through the crack and saved his wife. In Fantastic Four #284 they eventually broke free of Psycho-Man and Sue did the unthinkable, she used Psycho-Man's own machine against him.
After that last confrontation with Psycho-Man, and feeling that she had been forced to mature and let go of the pains of her past, Sue changed her codename from the Invisible Girl to the Invisible Woman. At the same time she was learning the full extent of her powers. She realized she could create actual objects from the force-fields she manipulated to create her protective shield. From that point on, Sue would only become more powerful with her abilities.
Inferno
Sue left the FF once again to take care of Franklin. Both Sue and Reed worked with the Avengers for a while, rescuing Franklin from the demonic invasion of Inferno.
Infinity War
Now you see her...
Now you see her...
During the Infinity War, Magus, the evil persona of Adam Warlock, created an army of evil copies of Earth's heroes. The evil Reed Richards detonated a gamma bomb at the Fantastic Four's Baxter Building to attack a gathering of the real heroes of Earth. The Fantastic Four joined in with the Infinity War and Sue again encounters her own dark side, Malice, who was sent from the Dimension of Manifestations and controlled by Magus. Sue defeated and absorbed Malice, but this persona gradually asserted itself more and more in her mind. She was losing control over herself when her son Franklin intervened. Franklin had been sent to the Elsewhen dimension by Reed's father Nathaniel and returned to the present, already aged into a teenager and calling himself Psi-Lord. Psi-Lord absorbed Malice's life from Sue and returned to the future.
When Reed was apparently killed battling Dr Doom, Ant-Man took his place, appointed by Sue as the team's new scientist. Sue finally found Reed, displaced in time by Hyperstorm, but he found himself unsettled by Sue's new confidence and her capable handling of her role as team leader and began to doubt himself.
Onslaught
Invisible Woman in Heroes Reborn
Invisible Woman in Heroes Reborn
After Professor X wiped Magneto's mind for removing the adamantium from Wolverine's body, a massively powerful physical manifestation of Professor X's dark side and Magneto's consciousness called Onslaught appeared and battled the world's heroes. The Fantastic Four and many other heroes sacrificed their lives to help defeat him, but Franklin had created another universe called the Counter-Earth and sent them there to save them. In this alternate world, the Fantastic Four started their lives over again, along with the Avengers.
Abraxas and Valeria
The FF returned to their original universe and met Valeria von Doom who claimed to be Doctor Doom's daughter from the future, with Sue being her mother. Valeria was the key to defeating Abraxas, whom Reed then banished, but an unexpected consequence of his defeat was that Valeria was drastically de-aged and returned to pre-birth in Sue's womb. The team then learned that Franklin had sent his sister (the second child whom everyone thought Sue had lost at childbirth) to "someplace else" in order to save her from the fate that awaited her at birth. Sue once again suffered from an extremely difficult pregnancy, her cells giving off radiation which greatly weakened her.
To make matters worse, Sue went into labor during a period of rampant hysteria against the Inhumans who had returned to Earth and came to the Baxter Building. The building was infiltrated and Sue was forced to help protect her friends while also dealing with the immense stress and pain of going into labor. In an effort to his save his sister's life, Johnny Storm sought out the help of the only other super-genius they knew since Reed was being helped captive by the Hidden Ones at this time. After some convincing, Dr Doom agreed to help in exchange for the right to name the child. Sue was reluctant but eventually accepted knowing her and her daughter's life was in danger. Using magic and science Doom helped Sue give birth to a baby girl. Doom named her Valeria, after his first love. However, secretly Doom cast a spell on Valeria at birth, making her his magical familiar, and he carried out a devastating attack against the team.
Valeria
Valeria
During the encounter, Franklin was kidnapped by demons and Valeria kidnapped by Doom, which was obviously hard on Sue. To add to the injury, Doom captured the team and, using his magic, forced them to live painful versions of their teammates powers. Sue gained Johnny's powers. In time, Reed with the help of Doctor Strange, saved the team and they then saved Valeria and Franklin from Doom's grasp, vanquishing the supervillain in the process.
Reed claimed Latveria in hopes of helping the Latverians become more independent and uncovering the truth about their former ruler. He wanted to end the threat of Doom's weapons. The people of Latveria eventually warm up to the group, although Sue along with the rest of the team, are a bit unnerved with Reed's actions. Behind the scenes, Reed was secretly planning to travel alone to the dimension where Doom was trapped to make sure he never escaped. Unfortunately the other Fantastic Four members came with him Doom, allowing Doom to escape by possessing Sue. In a battle between the Fantastic Four, the UN (who were opposed to Reed's takeover) and Dr Doom, Doom possesses Ben Grimm. Ben managed to break through Doom's control long enough to ask Reed to kill him and he does so. Afterwards Sue was distraught at this event and left Reed. Reed avoided criminal charges by giving most of his money and inventions away. Reed wanted to make things right and convinced Johnny and Sue to go to the Heaven where Grimm's soul had been sent and resurrected him. As a gift for all the work they had done for humanity, they were blessed with meeting the "One Above All" during that trip into Heaven.
Now the FF had a bad reputation and so briefly returned to living normal lives. Reed revealed that he wanted to become a working class citizen to see what if felt like to live a real life. Eventually though, they went back to being the Fantastic Four. Johnny took the job of being business manager for FF Inc. so Sue could show him responsibility.
Zius, and Sue as The Human Torch
Sue with Johnny's powers
Sue with Johnny's powers
A group of aliens came to Earth, led by a man named Zius. They had developed a cloaking device which hid planets from Galactus, thus saving them from being eaten by the World Devourer. At the same time they sought out anything or anyone who could disrupt the machine's functions which eventually led them to Earth, knowing that Sue's powers could be used reveal hidden things. Knowing that she would prove to be a liability, and that Galactus had caught onto their plan, they wanted to kill Sue, and threatened destroy Manhattan unless Sue was handed over to them. In desperation Reed created a machine which switched Sue's powers with Johnny's making it seem as if she had lost her powers. In reality Johnny now had Sue's powers and she had Johnny's. Zius was pleased and believed the ruse, leaving Earth, thinking that they were safe. Galactus then came to Earth seeking Susan to become his herald but he realized she didn't have those powers anymore. Sensing them in Johnny, Galactus made Johnny became his herald and amplified his new abilities, giving him the power to see people's personalities down to their deepest core.
Sue was forced to cope with her brother's powers and realized that controlling them was none too easy. She gained a new respect for him during her time with his powers. At the same time the team worked desperately to get Johnny back. With Quasar's help, they travel to where Galactus was. Following a plan concocted by Johnny and Reed, they managed to get Johnny back but not without consequences. Thanks to Johnny's new powers, Galactus had been turned back into Galan, his original form, and he was brought back to Earth to be taught the ways of humans. Shortly afterwards, when Reed was ready to switch Sue and Johnny's powers back to the appropriate person, the machine went haywire and the entire team was forced to play musical chairs with their powers, chasing after their powers all over the city. Eventually they once again got their original powers back.
Civil War
Civil War - Tigra has Sue in a headlock
Civil War - Tigra has Sue in a headlock
In the superhuman Civil War, Reed supported the Superhuman Registration Act. Sue's views differed from Reeds, but she was willing to stand by her husband. However, Johnny and Sue are attacked when a rioting crowd outside a nightclub are furious that Johnny's superhero status gives him easy access to the club and superiority over normal humans. The attack leaves Johnny in a coma. During one of the longer and most meaningful battles in the Civil War, against Captain America's Secret Avengers, Sue as well as the other heroes see a clone of Thor join the battle. This "clone Thor", Ragnarok, kills Bill Foster and was ready to make quick work of the other heroes. Susan realized how deadly and corrupted the Pro-Registration side had become. Wanting to save her friends, Sue placed herself in between Ragnarok and the Secret Avengers while he performed one of his devastating lightning attacks, saving the life of Captain America and the other heroes. She tells them all to leave. Reed tries desperately to explain to her that he had nothing to do with Ragnarok, but Sue tells him not to speak and leaves. Shortly afterward, Johnny is released from the hospital and both he and Sue go to join the Secret Avengers. Before leaving, she leaves Reed a note to explain her actions and begs him to spend time with his children whom he's neglected since the start of the struggle.
Towards the end of the Civil War, in the climactic battle, Sue decides to protect the innocent civilians while the other heroes fight. Taskmaster - one of the criminals hired by the pro-registrants to bring in the resistance - notices Sue and was ready to shoot her when Reed intervened and took a bullet for his wife. In anger and disgust, Sue manipulates her field into an offensive weapon and flattens the Taskmaster for harming her husband. Later on, Sue accepts amnesty and helps in the reconstruction of the New York street where the battle took place. After receiving a letter from Reed, she returns home.
At this time both Sue and Reed decide to pick up the pieces of their marriage. They take a break from the Fantastic Four. Storm fills in for Sue with her husband King T'Challa ( Black Panther) taking over from Reed.
The Second Honeymoon
The FF travel to Titan
The FF travel to Titan
Reed takes Sue to Titan, one of the moons of Saturn, as a means for them to have a honeymoon, since they never took one when they originally married. While there, Reed discovers a strange object and begins to examine it. Unfortunately he is unsure of it and he teleports back to Earth so other scientists can see and help him determine what it was. In doing so, however, he leaves Sue alone on the ship, where she is ambushed by the Frightful Four. Sue fights them off for as long as she can, however she is overcome by the Wizard's new gun which emits a frequency wave that can pass through Sue's force field. Sue is immediately knocked unconscious by the Wizard's terrific new weapon. Wizard then calls Reed on the televiser and tells him, "I'm about to kill your wife! Come and get me, if you can." Before it can land safely, Reed's ship appears to explode.... The Wizard then places a power dampener on Sue, who is held prisoner on her own ship, in order to make her and everyone else recognize the Wizard as Reed's superior. Sue refuses to acknowledge him as such, and he attacks her now that she's subdued, slapping Sue brutally. Reed, along with Johnny, Ben, Storm, and Black Panther head for the ship to stop the Frightful Four and rescue Sue. Finally, Storm finds Sue and releases her from the special machine that neutralized Sue's powers. In revenge, Sue threatens the Wizard with creating a force field around his heart. The Wizard, intimidated by the more powerful Sue, subsequently faints and the Frightful Four are then rocketed out into space on a smaller vessel. This Frightful Four saga is similar to her encounter with Psycho-Man. First, in each case Sue is held captive and put through an extreme ordeal. The Psycho-Man tale was totally emotional torment, while this Frightful Four saga gives Sue both emotional and physical trauma. The second similarity is that in each case we see a side of Sue Storm never shown back in the Silver Age. We see a Sue Storm overcome by vengeance, at least to some degree.
Secret Invasion
Along other kidnapped heroes
Along other kidnapped heroes
On a trip to Canada, Sue is ambushed by a Skrull taking Reed's likeness and then taken up to a spaceship. Lyja Lazerfist then takes on Sue's form and infiltrates the Baxter Building, opening a portal that sends the top three floors of the building into the Negative Zone and trapping her there with Ben, Johnny, Franklin and Valeria. Meanwhile the Skrulls continue their plans to infiltrate Earth by disguising themselves as various heroes. During the closing events of this Secret Invasion, Iron Man goes up to space to help destroy the Skrull armada, only to find and commandeer a ship that housed all the kidnapped heroes. Sue is found among them. Upon reaching the ground she is reunited with Reed and they take notice of the Baxter Building, rushing to make sure Franklin and Valeria, as well as Johnny and Ben are fine.
Nu World and the Death of the Invisible Woman
Sue helps Ben
Sue helps Ben
Reed's old flame Alyssa Castle (nee Moy) comes back into his life and confides in him the secret of a " Nu World" being built by her and her husband Ted in order to house the Earth's population when the current world ends. A robot known as C.A.P., created to police this new world against crime, escapes and teleports to Earth in order to eliminate all threats, which in this case is Earth's heroes. The heroes unite to try to defeat the machine, but Sue and the others are beaten. Reed eventually manages to stop it by building his own robotic suit called Anti-Galactus. Alyssa tells Reed she still loves him, but Reed says he really only loves Sue.
Sue and Reed travel back in time to celebrate their wedding anniversary at the restaurant near where they first met as adults. Sue comments to her husband about letting Alyssa down easily. He questions her on this but she laughs it off and tells him that she knew from the beginning. At that point they look out the window to see the younger versions of themselves cross each other's path once more, as adults.
Sue then seeks out a babysitter for Franklin and Valeria and finds one in the form of Mrs. Tabitha Deneuve. Dr. Doom then arrives at the Baxter Building seeking for help only to be kidnapped by a new bunch of super powered individuals. This leaves everyone curious. Not long after, Alyssa Castle gets in contact with Sue about helping her expose her husband and his Nu World project. It turns out that the true purpose of Nu World was to house only the richest and brightest. Alyssa joked with Sue that she's probably not Reed's favorite person at the moment and would have felt stupid revealing this to Reed. Johnny is then kidnapped which really worries Sue. Soon after the Baxter Building is attacked from within. In a scramble to protect Valeria and Mrs. Tabitha (not knowing she was the one who orchestrated the attack) Sue tells Tabitha to follow her to safety. Tabitha tells Sue to put Valeria down. Sue realizes that Tabitha is behind the attack, but is defeated by her own power - a Force Field in the shape of a beam. Sue is knocked out and Mrs. Deneuve casually leaves. Valeria runs after her saying "No mom stop!" aware that Tabitha is in reality the future self of Sue.
In actuality, the super powered team that kidnapped Doom and Johnny were the New Defenders who had traveled to the present day Earth from their ruined future 500 years from now. They planned to construct a device called the Galactus Engine to bring billions of refugees back to our time to save them. Tabitha (the future version of Sue) led the team in their attack. Reed devises an ingenious plan to find the New Defenders. Theorizing that 'Future Sue' is the same as the current one he injects Susan with a tracker and they subsequently find their hideout. Galactus, Johnny and Doom's powers power up the Galactus Engine, but instead of transporting the billions from the decrepit future into the past they are sent instead into Nu World (thanks to Sue and Alyssa's plan to change the coordinates in the machine). Tabitha goes to free Doom and apologize, but Doom kills her for what she's done. As a means to honor her, Susan and the rest of the Fantastic Four, hold a funeral in honor of Susan and the family moves on.
Future Foundation
Welcoming Spider-Man
Welcoming Spider-Man
After a future version of Franklin returns to the present on Franklin's birthday and warns the Fantastic Four about an upcoming War of Four Cities, the team discover four lost civilizations. One of these is a lost realm of Old Atlantis in Lake Vostok under Antarctica. The people of this city appoint Sue as their ambassador, but when Sue returns with Namor to negotiate with them, things turn bad and Namor kills their King Ul-Uhar, leaving Sue to assume control as their Regent. After Johnny dies while sealing off the Negative Zone from the inside, the team re-forms as the Future Foundation, including the assembled individuals who now live at the Baxter Building. Sue welcomes Spider-Man as he comes to join the team. She explains the design of the new uniform to him, saying that the old one seemed wrong after losing Johnny and the black and white colors reflect the current situation in the world.
War of the Four Cities
Red Costume
Red Costume
When Valeria decides to go ahead with her plan to rectify her mistake of setting the Council of Reed Richards loose on our world, she enlists the help of Doctor Doom. Sue expresses her strongest concerns to Reed and threatens Doom if he does anything wrong, but she goes along with their plan to seek the help from Reed's enemies: Mad Thinker, Wizard, High Evolutionary and Diablo. Sue goes with Bentley 23 to pick up the Wizard who is surprised that they managed to track him down. She then travels to Old Atlantis when she hears a warning through the spiral in her room at the Baxter Building.
Fall of the Fantastic Four
Susan VS Avengers
Susan VS Avengers
After defeating Fin Fang Foom, the team returns to the Baxter Building. That night, a swarm of creatures from a pocket dimension dreamed up by Franklin Richards, attacks NYC. The swarm requires the attention of every available hero in the city. After these events, the Fantastic Four are taken to court to answer for the damage they've done to the city and it's inhabitants over the years. Franklin and the other children of the Future Foundation are taken from Susan and Reed who are deemed unfit to raise and provide for them. The Baxter Building is locked up, and Susan and Reed have no home left. Ben is taken into custody, and Johnny loses his powers and his record deal. In a state of emotional frustration, Susan lashes out at the Avengers, who are preventing their entrance into the Baxter Building. She is able to quickly and effectively take out the Avengers on her own, including heavy hitters, such as the Hulk and Thor. Jim Hammond arrives and talks Sue down. The Avengers do not retaliate, saying that they understand her situation. Sue and Reed leave and travel to Eden to "make the world a better place". While Reed is busy with work, Susan sneaks into Camp Hammond and steals one of the Fantastic Four's jets back.
Attack on Latveria
Sue VS Dr. Doom
Sue VS Dr. Doom
Sue flies the jet to Latveria where she seeks to retrieve her daughter, Valeria Richards. Valeria had previously decided to leave her parents and seek the company of her godfather, "Uncle" Victor von Doom, Monarch of Latveria. Valeria and Doom were working together to make the world a better place. Her positive influence on Doom is significant. Sue explains that she's lost nearly everything that she held dear to her, and wants to bring Valeria back. Valeria comforts her mother, saying she is needed more in Latveria because of the importance of her work. Sue refuses to take take no for an answer, and her emotions as a mother seeking to protect her child take over. In a stunning display of power, Sue defeats and humiliates Doom and his Latverian forces. She uses her powers in unique ways to slip particles of her shield into Doom's armor, and then removes it. One woman took on an entire nation, and won. But Valeria, now scared of her mother, declares that it must be Malice, once again, in possession of Sue's body. Susan, looking at all the damage she's caused, decides to leave Latveria, and her daughter.
Avengers & X-Men: AXIS
Heroes assemble in Axis
Heroes assemble in Axis
In the AXIS event, Sue is a part of the group of reinforcements sent to the Red Onslaught's "Reeducation Camps" on the previously abandoned island-kingdom of Genosha. She, along with the others, battled the Red Onslaught and his forces.
Time Runs Out
Avenger Invisible Woman
Avenger Invisible Woman
Jumping ahead 8 months into the future, Sue Storm is seen as an Avenger, helping to lead the hunt for the members of the Illuminati - including her husband, Reed Richards.
Powers and Abilities
Force Fields
Force Fields
Sue can now generate and control a form of energy from hyperspace. She bends light waves away from her which make her invisible. She also wears a special suit which has unstable molecules. This special suit allows her clothes to become invisible with her as well. Soon after, she was able to render other objects invisible. By rendering objects invisible, she uses her imagination rather than visuals. For example, she can make pipes in a building invisible without actually seeing them. With this, she could also disrupt the energy waves making someone else invisible. She could also make invisible objects and use them a projectiles, something small being much like a bullet and something large like a battering ram. With this, she could make a temporary ladder or something which she could use to reach higher places. She also has the ability to form force fields around her and other people. She can control the texture of these force fields, making them as tough as she wants or as soft. She can also fly or levitate by pushing her energy through air molecules. Can also assimilate telekinesis which developed to the point that she destroyed a piece of a Celestial's armor.
Sue's powers have grown and she's learned to use them in new and creative ways.
With her invisibility she can.
render all of herself, or any part of herself invisible
render others and other objects invisible
make walls, the floor, or the ceiling, invisible so she can see through them
sense other things that are invisible and make them visible
partially disguise her clothing to modify her appearance (notably hiding her costume when posing as a civilian.)
With her force fields she can...
create strong shields
create ladders, bridges, platforms, elevators and other things to get places
create a board or saucer to levitate herself or others
use her force fields to move things (like telekinesis)
create Weapons (i.e. a sword)
create a projectile weapon
create a battering ram (to bust open doors, etc)
create something soft to catch someone (like a giant glove or mattress)
make things explode by creating a shield inside of it then expanding it
suffocate someone by putting them in a shield and not letting air in
create an air bubble, she can go places without air and not let air out
She has had some training in hand to hand combat, and is a capable unarmed combatant.
Her earliest appearances had her ability as only being able to become invisible, but as a more scientific approach was taken to explain her powers, it was decided to expand them to include force fields (she uses force fields to bend the light around her.) Thus although she was a relatively weak character to begin with she has become one of the more powerful.
Characteristics and Personal Data
Susan Storm as Invisible Woman
Susan Storm as Invisible Woman
Height: 5'11"
Weight: 150 lbs
Eye Color: Blue
Hair color: Blonde
Citizenship: American
Place of Birth: Glenville, Long Island. New York
Education: High-School Graduate, unfinished college classes
Occupations: Adventurer, Teacher, Model, Actress,
Known Relatives: Valeria and Franklin Richard (Children), Johnny Storm (Brother), Franklin Storm (Father, Deceased), Mary Storm (Mother, Deceased ... Alive in Ultimate Universe), Evelyn and Nathaniel Richards (Parents-in-Law, Deceased)
Marital Status: Married to Reed Richards
Uniform
Sue's uniform is made out of the same unstable molecules that the rest of the Fantastic Four wear. The suit itself is made to work and mold to the persons wearing it special powers. (i.e. The suit turns invisible as Sue does). Her uniform has also taken on some more costume like looks, some involving a mini-skirt. After becoming Malice and returning to normal, for a time Sue's costume was more revealing, with a '4' cut out over her breasts and an exposed midriff and thigh high boots.
Although the one thing that never changed was that she always had the '4', which represented her team, with the formation of the Future Foundation this feature has now disappeared for a time from the team's outfits, replaced by black and white hexagons.
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