.. hi guys and jennifer powrs at WKRP.. here's some dialogue i wrote for the WKRP movie screenplay.. i waited tho sow to show it to you... bu there here it ies is n

... we talk abou t this screenplay have our first meeting together with it script session in the past thru the ether with my past self and future selves of the cast we have this conversation about this dialogue.. it's okay.. it's okay.. it's okay.. you're freee to read it gary sandy.. especially gary sandy.. he has thte most dialogue.. and johnny vefer ve fever and venis flytrap and herb tarlick and the gang rest of th e gang include bailey and les can ken rad it read it.. rad it getntlemmen.. sorry Jennifer.. I've got some awesome ideas in stor e for you abou tyour reading of foreign languages ... the CIA should have my thoughts about Jennifer powers on their file...  Gordon jump can definitely read his dialogue too... he might need a lot of time for preparation..

Andy Travis: Sooorr.. it looks like we're goin' ta have a down home nucleur holocaust..

Staff: WHAT?

Andy Travis: Okay.. just kidding.. so down to business... my name is andy travis.. i'm you're traffic manager.. station manager.. whatever.. we're going to take this down and out radio station..

Herb Tarlick: Down and out? We've worked here for twenty years.

Bailey Quarters: Yeah!

Les nessman: some of us for less money than usual.. hence my name.. heh.. les..

Bailey Quarters: Yeah! You tell em'.. hence my name.. sniff.. quarters..

Andy Travis: Ah. - pause – okay.. so we're starting from the ground floor you mean..

Herb Tarlick: we'll maybe we're not that badly off.. well.. maybe we are..

Bailey Quarters: yeah?..

Herb Tarlick: it's like..

Bailey Quarters: bail me out, baby.. it's like.. heehee..

Andy Travis: Aw, c'mon guys.. where's the company spirit..

Bailery Quarters: down the rum drain..

Andy Travis: okay.. first off.. Bailery.. we'll get you your helicopter..

Bailey: yippee

Les nessman: wait.. no no that makes sense.. she's been here very long.. ah.. good i mean bully for you bailey..

Bailey: thenks les..

Andy Travis: .. so .. bailery.. like bales of hay right?..

bailey: right?

Andy Travis: bailery.. do you know how to drive a helicopter..

bailey: uah ah i mean.. yes..

herb tarlick: oboy..

andy travis: splendid..

Bailey: leessss.. i need help..

les nessman: i'll teach you in time baley.. i've been.. practicing..

andy travis: ahh.. see now we're all working together..

Andy Travis: so herb.. you've heard of course of the central intelligence agency

Herb: yyeeaahh

Johnny: Can i join..

Andy travis: no. .. sorry.. only one member per station.. so herb you up for it..

herb tarlick: how's the pay..

andy travis: ahhww, herb.. it's the government..

herb tarlick: oohkay..

johnny: heyy... herb congratulations.. i always knew you were going places...

herb: - starts singing – knnoowwboody knooows the trouble i've beeenn..

johnny: nooboody knoowws my soorrrow... see herb we can make a mess of the cia.. this whole.. this whole arrangement.. it's like.. too good to last.. but if we blow our whole wad real early.. we can blow this joint sky high..

andy travis: waaaiiit a minute johnny...

johnny: waiiit a minute i'm getting a thought.. i'm getting a thought.. - puts on sunglasses – yeah, yeah, i can see it now.. timothy leary help me..

les walks in.

Les: oh dear..

johnny: dearr mammy... dearr mammy...

venus walks in, gravely..

venus flytrap: i eat bugs.. but plants don't.. i checked.. johnny i dunno... it's too much.. too much history.. for the blacks.. for the children..

johnny: sorry, venus.. just Blake.. Blakian visions.. i think cia .. and i think.. blake..

herb tarlick: black.. blake.. yeahh.. lemmee.. i'm gonna mosey on .. get a shot of bourbon..

Vivian Carlson: ahh, arthur.. i wasn't actually that bad a mother was i..

arthur carlson: well, no, no, you weren't..

vivian: i just.. - almost crying – i don't know.. it was so difficult.. your father died early.. and you were SO independant.. i was almost.. threatened..

arthur carlson: ahw, you know mom..

vivian: we were just two fighting pairs.. you and i.. and then.. i just.. cracked.. under pressure.. rock music became my savior .. of sorts.. i played it too loud.. too harshly.. i know.. it was .. abusive..

arthur carlson: it was just so.. so strange.. the sounds were so.. eerie..

vivian: i seemed to.. crave the eerie.. it might have been – crying – a dark past of mine.. i have.. a dark history... it goes back way back before i met your father..

arthur carlson: awh, mom, you're not dark..

vivian: i just.. wagner.. i always listened to wagner.. but nietzsche.. he had.. provacative criticisms of wagner.. he felt it his music.. jangled the masses.. kept them in a state of constant nervous agitation.. a kind of anxiety opiate.. a nervous mess of people.. germany.. war.. war...

arthur carlson: i .. i like wagner.. i like wagner a lot.. it actually his music sooths my senses.. i like i love the singing..

vivian: i'm glad.. i'm so very glad.. i perhaps.. understood nietszche's restive soul.. i understood another age.. its restive spirit.. i was.. nonplussed..