Prince Amerigo in "The Golden Bowl", a novel written by Hanno Ridal Raudsepp...

Prince Amerigo was a student of theatre.. he had always had intense thoughts about the faculties of the human voice in rhythm, meter and teh very meter of intonation.. like their could be a trigonometry of intonation to speaking the dialogue of your character in a play.. like their could be angles of time precisely measured to intonation in such actor's spoken dialogue.. Prince Amerigo had taken to reading the philosophy prose of Fredriech Nietzsche out loud.. and he had felt the very robust solid-ground conviction .. like a very earth-foundation of conviction to the flat somber deep bass emphatic vocalization of a phrase from a paragraph of his prose, of Nietzche's prose.. it was teh emphasis you could give with a heartful sobriety of Rhetoric in full honour and dignity of vocal delivery.. to a phrase of Nietzsche's prose within a paragraph.. and this was how an actor could do monologue-study.. It was the conviction temperature of spoken voice for an actor.. all of the aforementioned was the mood and measure of Prince Amerigo's cerebration over teh course of fifteen minutes as he walked the streets of London looking for symbols to be props in a kind of city-allegory of Stage-city-mechanics.. looking for half-images in half-phase .. like optical figures and signatures of light under parasols and awnings.. thru which light shafts of light could lightly play upon patterns.. with pleasant dust in the air in interior outdoor compartments of indoor-outdoor shops..