The 16-hour, Stand-Alone, "Superman; man of steel".. screenplay.. so far.. for directors.. Steven Spielberg, Sophia Copolla.. and Marty Scorcese.... executive produced by Francis Ford Copolla...

1st hour - ... Krypton Scenes

                     The Trial of the four Phantom Zone Villains / Criminals...

         Jor-el (Gary Oldman) and Lara (Emmanuelle beart) and Kal-el..

2nd hour -     .. Smallville scenes..

                    Clark Kent (Brandon Routh) meets and befriends Lex Luthor (Michael Rosenbaum).. in Smallville.. the mysterious, elusive, fascinating Lana Lang is in this hour.. played by Holly Madison.. in this second hour...

3rd hour Issue #823..

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Angelo Bend... Perry White is horrified with Angelo Bend..

Angelo Bend:..".. I am going to die.. I am going to die the stinking guts of myself.. "..


- in the Daily Planet offices..

Perry White:.. ".. It's Angelo Bend.. Angelo Bend is a very scary man.... and I DON'T like what he did when he took Linda Danvers into his confidence..."

Jimmy Olsen (Chris Pennington):..".. and the other Supergirls too.."

Perry White:..".. yeah.. all the Supergirls.. he is FRIGHTENING Linda Danvers and the other Supergirls like NO ONE has EVER frightened them.. like he can't even HELP himself.. like he can't even STOP himself from doing this.. and he Angelo Bend for Chrissake he is SUCH a pity-case.. ahhww hell I wish I hadn't said that.. but why do other people have to suffer what HE suffers.. EXACTLY what he suffers.,. why do young girls like Linda Danvers have to suffer EXACTLY what he suffers.. no matter how FRIGHTENING this is for them... just to make it easier for HIM... just to ease the load of HIS discomfort.. a young girl like Linda Danvers.. all the Supergirls.. they have FEEL .. feel HIS almost .. aww... hell.. Angelo.. I'm sorry.. it's just... you can't keep .. it to yourself.. the hellish experiences you went thru.. Angelo.. you can't keep that pure hell to yourself.. young girls like Linda Danvers and the other Supergirls have to endure that hell as well.. just so .. Angelo.. you won't be .. ALONE with it.. all alone with you hellish experiences.. of recent weeks.."..


Bon Jovi's "Livin' on a Prayer" plays while Julian Day (Alan Rickman) and Angelo Bend (Crispin Glover) together go on an apocalyptic, deadly, razor-sharp techno-methodical crime-spree throughout Metropolis.. it's up to the force-fields of the Alexis Luthor from many decades in the future.. force-fields he manipulates from many decades in the future thru Medusa-Network Time-Travel Science.. an Alexis Luthor he hasn't even BECOME yet.. from these many decades in the future Alexis Luthor orchestrates intricate rotating-stage mechanics of force fields to ensure that not a single person is killed or even injured for that matter during the Leviathon-Scale Crime Spree of Angelo Bend / Angle-Man and Julian Day / Calender-Man... Crispin Glover and Alan Rickman .. throughout Metropolis early in the third hour-section.. in the issue #834 Third hour section of "Superman; man of tomorrow; chapter one", directed by Steven Spielberg and Sophia Copolla....


Then, next.. a scene at the Daily Planet..

The Daily Planet offices... Bon Jovi's "It's my life" is playing in the background..

Perry White (George Clooney):.. ".. So... I still don't get it.. Lex Luthor is using what apparently looks like extremely adroit Luthor-brand force-field technology to save lives, many, many lives .. during the Crime-Sprees of Supervillains.. and Lex Luthor doing all this.. is somehow.. inappropriate.. I don't .. get that .. at all.."

Jimmy Olsen (Chris Pennington):.. "... It's a premise that I find rather nauseating actually.. it's that since Lex Luthor has to consort WITH criminals to save lives FROM criminals.. from rampaging Supervillains.. that the premise is that this reflects in a criminal manner upon Lex Luthor's reputation.. that it casts a shadow of Crime over the public status of Lex Luthor.. this all rather sickens me actually... I personally really like Lex.."

Perry White (George Clooney):.. ".. yeah.. it's an old, old expression.. "... When in doubt, blame Lex..".. Okay, Jimmy.. I don't want.. I want the Daily Planet's involvement in ANY smear campaign against Lex Luthor to be at 0% .. at less than 0%.... I see myself as Publisher and Editor-in-Chief of the Daily Planet doing everything in the deeply, inveterately bureaucratic sense that Lex Luthor does.."

Jimmy Olsen (Chris Pennington):.. ".. you got it, boss... I see that as an order.."


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Track 7 of the Best of Depeche Mode Volume 1... a song by Depeche Mode called.. "it's no good". plays during the next scene.. a scene called.. "Rise of the Supergirls"..

Linda Danvers (Sarah Polley):..".. okay, girls.. I mean, super- ... girls.. Angelo Bend and Julian Day need our help..."

.. Depeche Mode song -..".. it's no good..".. starts playing.. Rise of the Supergirls thru the urban cyber-punk streets of Metropolis begins... in Steven Spielberg / Sophia Copolla co-directed, "Superman; man of tomorrow; chapter one".. in 3rd maybe close to 4th hour of the movie...


scene and sequences written and devised by Screenwriter Hanno Jason Leigh aka Hanno Ridal Raudsepp...

... still... The Third Hour of Man of Tomorrow; Chapter one...-    Businessman Post-crisis Lex Luthor of Metropolis, played by Billy Zane... exonerates from all legal consequences a young teenage bank robber, played by Johnathon Tucker.. he sends his agents in Black Tuxedo's and Black Bow Ties to meet him and bring him to a safe place.. one of them gives the presumably Manichean Golden Age Superman (the Entertainment Weekly Henry Cavill of the Superman Brand .. who was presumably part of Entertainment Weekly's design to bring the Superman movie's to the point of a blank slate.. not even a clean slate.. a blank slate.. and to create a Superman movie universe of clear black and white moral values rather than the abyss of labyrinthine moral complexity and moral relativity of the television show.. "Smallville".. so that's the Golden Age Superman, played by Entertainment Weekly Henry Cavill.. he's .. I think he's called.. Henry Cavill-4..)... Golden Age Superman looks at Lex Luthor's business card that one of his Black Tuxedo's agents gave him.. and Golden Age Superman has a look of fierce, grim, grave, steely immobile consternation on his face.. and he uses his heat vision to burn two holes into the Lex Luthor business card.. and Golden Age Superman says just one word: "Luthor"...

... This is what Shatters the very Soul of the Golden Age Superman.. he finds out that Lex Luthor, who no one has actually seen.. no one knows what he looks like.. that he's been arrested and put in prison.. Golden Age Superman see's images of this travesty on C-Pac.. which is doing an investigation into this socially apocalyptic incident.. Their are images on the Nightime news and on CNN of Lex Luthor (Jessie Eisenberg) in prison.. but the image of his long, flowing red hair being shaved like he's a woman who may in fact have been Jane Seymour at the very end of the television maxi-series, "War and Remembrance".. even though Jane Seymour's character, Natalie ... was shown to be alive and well and with her husband on the final episode after she'd been in Auschwitz.. it still seemed like the horrifyingly naked woman who'se head had been shaved in the second or third last episode of "War and Remembrance".. and executed and put I believe in a furnace.. I'm not sure if she was put in a furnace but it was assumed that that was the fate of the anonymous horrifying naked woman who looked just like Jane Seymour on that second or third last episode of that maxi-series.. their are images on CNN and on the investigations of C-PAC.. of Jessie Eisenberg Lex Luthor having his head shaved in prison.. "This is Auschwitz.. a modern-day prison Auschwitz", say's George Clooney's Perry White.. Victoria Hill's Lois Lane is naked in a bathtub as she watches this one the news and she's crying and shrieking and wailing in terror for Lex Luthor.. for Jessie Eisenberg Lex Luthor... This is the very first appearance of Victoria Hill's Lois Lane in a Superman movie.. the very first appearance of Victoria Hill as Lois Lane in a movie..

... later on...

The fifteenth Hour.. of "Superman; man of steel".. directed by Steven Spielberg..

Alexis Luthor:.. “.. and the Statue of Liberty once spoke to me as she did once long, long ago to Joan Dale.. and the Statue of Liberty said these words that she let me.. overhear.. “I that am about to die, salute you Superman.. Roman Superman..”..

When the Statue of Liberty is destroyed by Alexis Luthor / Lara.... Joan Dale (elizabeth wurtzel) is touring the catacombs of the Pyramids of Egypt at the time.. I believe the Pyramids of egypt are supposed to be one of the seven wonders of the world...

Track 1 of Rupert Gregson-William's Original Music Soundtrack for Patty Jenkins's Wonder Woman movie..

Track 1 of that Soundtrack is called … “Superman's Heavenly Vigil”... in the Original Motion Picture Soundtrack for the 16-hour, “Superman; man of steel”, directed by Steven Spielberg, Sophia Copolla and Marty Scorcese.... during this music .. near the very, very, very end of the movie.. Superman is hovering high, high, high abover the clouds.. way above the clouds in the Heavens.. and then.. only Scorcese.. can do the next palette, pastiche, almost the multi-layers of watercolours shot is the next shot.. layer-watercolour-layer after watercolour-layer.. of frame after frame .. of Alexis Luthor in his Cary Bates / Crisis of Infinite earths Armoured Costume flying to meet Superman.. from outside the scope of Superman's distance-vision.. (Superman has X-ray vision, heat vision, and super-distance vision.. all three visions.. all three visions..).. That Alexis Luthor is arriving to meet Superman from so far off... from such a far-off distance is underlined and underscored.. by the complexity of Distance-shots.. or ariel-above-the-clouds distance shots.. each shot analogous to a watercolour-layer.. of shots of Alexis Luthor in his Crisis-of-infinite-earths Armoured Costume.. approaching.. way, way outside the scope of Superman's (Brandon Routh's) super-distance vision.. Alexis Luthor.. Tyger, Tyger, burning bright.. is approaching.. flying thru the Heavens, far, far, far above the clouds.. and above the airplanes in the Heavens...

... near the very, very end of the 16-hour, "Superman; man steel".. to be released in ten years.. in the year .. 1928... near the very, very, very end of that movie.. Perry white (George Clooney) spends 148 hours straight driving in a Daily Planet Jeep looking across America for Lois Brianne Lane (Victoria Hill)..... Track 5 of the Rupert Gregson-Williams score for Patty Jenkins Wonder Woman movie plays during this sad, woeful, despairing, long, prolonged scene...

the Original Motion Picture Soundtrack for the 16-hour, "Superman; man of tomorrow" is composed by John Williams, Hans Zimmer, and Rupert Gregson-Williams.. by those three composers.. by those three.. those three...

.... Wojciech Kilar, of the Soundtrack for "William Marston's Wonder Woman" may work on the score for the 18-hour, "Superman; man of tomorrow"....

... in the Nicholas Cage Superman movie, directed by M. Night Shamalayan.. which may still be called.. "Superman; the Action Ace"... Sean Bean plays Lex Blake.. the Lex Luthor who is native to Planet Krypton, the Lex Luthor who's originally from their.. he's the Lex Luthor who anciently, in Ancient Krypton Times.. set up complex interstices force fields of cellular cytoskeleton complexity.. around people.. around future victims of torturing police officers and torturing feminists .. force fields that would be impenetrable in one single detail, one single "Chastnost" particular... ("Chastnost" I believe .. may be the Russian word for "Detail"... Chastenot or Chastenost...)... these force-fields prevent the torturing, killer-police officers and torturing killer-feminist from actually killing their victims.. at least that much from Kryptonian Lex Blake.. at least that much.. at least that much...

Nicholas Cage ... Sean Bean... Winona Ryder.... and Willie Tell Archer as Lana Lang..

                 Superman The Action Ace

                   a film by M. Night Shamalayan...

Track 6 of Rupert Gregson-Williams's .. score for Patty Jenkins's Wonder Woman movie plays during this scene that takes place in the last hour, in the very last hour of the 16-hour, "Superman; man of steel" movie directed by Steven Spielberg, Sophia Copolla and Marty Scorcese.... the scene in question.. of the music of Track 6.. of Track 6.. is the scene of the very first meeting of Society Lex (Hanno Jason Leigh) and Megan D. Iseult Talia al Ghul... the two of them in separate countries.... Hanno Jason Leigh's Society Lex in Canada.... Megan D. Iseult's Talia al Ghul in the States... Duke Thomas ... from Scott Snyder's original run on Batman.. Duke Thomas finally shows up in this scene.. played by Actor Brian Boyega.. to offer his limousine services .... for free... completely free-of-charge.. always.. always.. always for Megan d. Iseult Talia al Ghul... The title of this Track.. of Track 6.... on the Original Motion Picture Soundtrack for the 16-hour, Steven Spielberg-directed, "Superman; man of steel".. composed by John Williams, Hans Zimmer, and Rupert Gregson-Williams.. the title of this Track.. of Track 6.. on the aforementioned Superman; man of steel Sountrack is.. "Villains United".. Track 48..?.. Track 48.. "Villains United".. ?..

When Track 6 of Disc One of "The Best of Pink Floyd; echoes".. plays in the last ten or fifteen minutes of the 16-hour, "Superman; man of steel", directed by Steven Spielberg and Sophia Copolla.. when Track 6 plays in the last fifteen minutes approximately of the music.. Lois Brianne Lane (Victoria Brianne Lane) says.. ".. maybe it was only fantasy that I was Lois Lane.."..

.... when the lyrics of the Pink Floyd song of Track 6 are... "... hey you, always walkin' on the road.. always doin' what you're told...".. we see a Dostoevskian Prince Myshkin deeply introspective Clark Kent walking the nighttime streets of Metropolis despairing of ever finding a Lois Brianne Lane who is in grave, Ivan Karamazov Katerina Ivanovna-level danger.. Brandon Routh Clark Kent.. Brandon Routh.. Brandon Routh.. Brandon Routh..

... and then the Wall.. like a mahogany (?) or black ebony Piano-leg.. is The Wall.. the Wall against which the apocalyptic Superboy-prime.. "go pow".. the wall he punches over and over again.. causing DC Realm retcon after retcon after retcon.. every single time.. "Superboy Prime go pow".. another retcon occurs.. this.. this is the Black Coal-Black Wall behind with the Voice of the beyond apocalyptic Megan Gale / Tiffany Fallon Wonder Woman-Voice emanates... (perhaps James Earl Jones can help with the acoustics of this voice..).. and then you hear the Pink Floyd Lyrics of the song of Track 6... I think the lyrics are something like.. ".. hey you.. the voice behind the wall, breaking bubbles in the hall...".. the lyrics are close to that...

Track 10 of Rupert Gregson-Williams's Original Motion Picture Soundtrack for Patty Jenkins's "Wonder Woman".... plays during this scene when Ma Kent (Sheila Florence) is crying and looking for her abducted son, Clark Kent.. in the last ten or twelve.. sob sob.. minutes of the 16-hour, Stand-alone, "Superman; man of steel", directed by Spielberg... Track 10 is called.. "Apollonian Ma Kent".. it's Track 54.. Track 54.. the Apollonian Ma Kent is Sheila Florence of "A Woman's Tale".. or... "The Woman's Tale"...?... Ma Kent (Sheila Florence) is in the middle of a small, local crowd.. she's saying.. ".. where is my son, Clark.. where is my son.. Clark.. a woman took him.. a woman abducted my son, Clark.. a middle-aged woman it was.. a middle-aged woman it was who abducted my.. my adult son, Clark.. I don't know.. HOW .. she did it.. but she.. did.. it's that gold kryptonite.. she possessed gold kryptonite.. that dreadful, dire, horrible, HORRIBLE gold kryptonite.. the middle-aged woman who abducted my adult son, Clark.. she possessed Gold Kryptonite.... that HATEFUL gold kryptonite... that's how she did it.. that's how she did.. she was.. a .. middle-aged.. woman.. who .. abducted my.. adult.. son.. Clark..."....

Track 5 of Disc One of ... "The Best of Pink Floyd; echoes"... plays... and is called.. the title of this Track .. of this whole Track 5 .. track is called.. "Ruby Ryder".. this Track is called.... "Ruby Ryder" ... it's Track 51 of the John Williams, Hans Zimmer and Rupert Gregson Williams - with songs from Pink Floyd and the Moody Blues -.. Original Motion Picture Soundtrack of the 16-hour, "Superman; man of Steel", directed by Steven Spielberg, Sophia Copolla and Marty Scorcese... this track "Ruby Ryder".. originally Track 5.. now Track 51... plays during a Winona Ryder Ruby Ryder scene at her huge home of her now rich family in the last half hour or last twenty minutes of "Superman; man of steel", directed by Steven Spielberg, Sophia Copolla and Marty Scorcese.. 16-hour... version... a Superman Stand-Alone movie... like.. sniff.. "Solo"..?...

Track 11 of Rupert Gregson-Williams's Original Movie Soundtrack for Patty Jenkins's "Wonder Woman" movie.. track 11.. the artemis schizophrenia Track.. Track 11.. Track 11.. of that Soundtrack.. is called.. the title of Track 11.. is.. "Reign of the Supermen".. but instead of only four Supermen.. their are eight.. or nine.. or as many as ten Supermen.. in the last five or six minutes of the 16-hour, "Superman; man of steel".. eight or nine or ten Supermen.. including Shaq.. as... Shaq O'Niell as... the John Henry Irons of Earth-2...

... is X-Kryptonite.. schizophrenia Krytonite... ?.. Divided self-Kryptonite.. aka.. Brand X-Kryptonite.. or .. Asteroid X-Kryptonite..?.. a schizophrenia asteroid.. an Artemis schizophrenia asteroid...

Track 12 of Rupert Gregson-Williams's Original Movie Soundtrack for Patty Jenkins's movie.. is now Track 58 of the John Williams, Hans Zimmer, Rupert Gregson-Williams Score for the Steven Spielberg 16-hour, "Superman; man of steel" movie.. Track 58.. of the soundtrack of this movie.. formerly.. track 12.. formerly Track 12.. Track 58 .. formerly Track 12 has the title ... "Pete Ross and the Silver Swan".. Oscar Isaac plays Pete Ross in the 16-hour, "Superman; man of steel", directed by Steven Spielberg, Sophia Copolla and Marty Scorcese.. and Oscar Isaac plays Steve Cole in "Superman; man of steel; chapter one", directed by Steven Spielberg and Sophia Copolla... Holly Madison plays Helen Alexandros.. the pre-crisis Helen Alexandros.. in both movie's...

Track 13 of Rupert Gregson-Williams's Soundtrack for Patty Jenkins's Wonder Woman movie.. is called.. has the title.. Track 13 of that soundtrack now has the title.. "Clark Kent's little sister".. it's Track 59 now.. of John Williams, Hans Zimmer's and Rupert Gregson-Williams's score for "Superman; man of steel", 16-hour version...