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Sunday, September 30, 2018

.. a unique winona ryder .. story.. in The Guardian...

Francis Ford Coppola agrees Winona Ryder and Keanu Reeves might be married

Director of Bram Stoker’s Dracula says 1992 film starring the pair included a real wedding ceremony
Do Winona Ryder and Keanu Reeves actually get married in this scene from Dracula?
Francis Ford Coppola has backed a theory by Winona Ryder that she and Keanu Reeves might be married.
The director of the 1992 film Bram Stoker’s Dracula, which starred Ryder and Reeves, corroborated Ryder’s story that a wedding scene involving the pair could be legally binding.
After filming concluded, Coppola said he was unhappy with a stylised version of the scene and decided that “having the real wedding ceremony as it might be in that religion [Greek Orthodox Christianity] would be beautiful”.
He then filmed a ceremony in a Greek Orthodox church in Los Angeles with a real priest. “This is pretty authentic and I think very beautiful, because we actually did the ceremony and had the priest do the ceremony.,” Coppola said. “So in a sense, when we were all done, we realised that Keanu and Winona really are married as a result of this scene and this ceremony.”
Ryder first suggested the idea at the weekend to Entertainment Weekly, saying: “We actually got married in Dracula. No, I swear to God, I think we’re married in real life. In that scene, Francis [Ford Coppola] used a real Romanian priest. We shot the master and he did the whole thing. So I think we’re married.”
Footage of the ceremony is spliced in the film with the death of a friend, who has been turned into a vampire. Ryder and Reeves drink from a goblet and are blessed with a wreath of white roses before kissing energetically. Neither is seen speaking, and it is unknown whether the priest is using the pair’s real names or their characters’.
Ryder’s latest collaboration with Reeves is a romcom called Destination Wedding. It is their fourth film together, after Dracula, A Scanner Darkly and The Private Lives of Pippa Lee.

This music is called... is a track called.. "THANAGARIA, THANAGARIA.. oh oh Thanagaria..!!!!..".... in the soundtrack for "Superman; man of tomorrow; chapter one", directed by Steven Spielberg and Sophia Copolla... "Twelve Titans Music - Echo"...

https://www.youtube.com/watch?v=vW-maYAg86I

.... at the bottom of this Youtube music URL.. read teh comment by Raymond Lee.. and the comments below his comment.. in the public comments section.. just.. sob sob.. read them... The Peter Gabriel Phil Collins of Genesis Youtube public comments Project....

https://www.youtube.com/watch?v=BhbNblfxu8Q

.... when Wonder Woman becomes a serial killer, their is a Supergirl who wants her dead.... and another Supergirl.. a Supergirl who is perpetually divested of the official right to be Supergirl.. who can't stop sobbing for Wonder Woman.. when Wonder Woman becomes a serial killer.. just like Lucas Haas at the very, very, very beginning of the movie he made with Brittany Murphy.. the real Girl, Interrupted.. an Oprah made-for-tv movie...

https://www.youtube.com/watch?v=knrN8_OQJcM

… the sobbing, weeping Supergirl:..".. AQUAMAN!!!.... AQUAMAN!!!... WONDER WOMAN... NOOO!!!!.."...

This is the music that plays when Alexis Luthor (Michael William Rosenbaum) says.. "I'm building a monolith...".. and .. and does...

https://www.youtube.com/watch?v=M9VCNXROgjY


Young, so young Alexis Luthor slashes his hand with a knife and the blood spills out of his palm.. and it falls and swoops and drips the blood does on to a laboratory microscope slide.. and then you see the blood thru the the microscope in terms of red blood cells and then the red blood cells of his blood merge with... gigantic.. was it.. ACCION... was the company called.. ACCION.. or a name much like it... or a name much .. like it.. gigantic HUGE monolithic machinery-earthworms which burrow beneath the earth out of Osama Bin Lex's now silver-plated underground "afghani-style" cave-lair.. He is building the Monolith.. he is.. building .. the Monolith...

Clark Kent talks to actor, Harvey Keitel, in... "Superman; man of tomorrow; chapter one", directed by Steven Spielberg and Sophia Copolla...

Clark Kent (Brandon Routh):.. ".. Harvey... I want to talk about.. "Bad Lieutenant".."..

Harvey Keitel:.."... please do.. Clark.. please.. please do.. so graciously.. so.. so graciously...."

Clark Kent (Brandon Routh):..".. it's that.. It's the movie.. "Bad Lieutenant" is THE movie.. THE movie that you can watch.. teh movie that is pure, unadultered Dostoevsky.. that is what "Bad Lieutenant" .. as it's advertised on the cover of the videocassette.. that I rented from a video rental place.. on the cover of the videocassette of "Bad Lieutenant".. with a riveting, vivid photograph of you.. Harvey Keitel.. the word... underneath or beside the title "Bad Lieutenant" .. are .. wait.. uh.. Thief.. Killer.. many, many other such words of that ilk.. but those are the only two I can remember.. the very last word in the column of words is "Killer"... but he's not.. that's actually ENTIRELY inaccurate about the movie.. you don't kill anyone .. at all.. in "Bad Lieutenant".. they went overboard promoting your character as the ultimate Dostoevsky character in that movie.. Harvey Keitel.. that's what I wanted to say.. it's THE movie... "Bad Lietenant".. based on how it's promoted on the cover.. is the movie .. you can actually.. watch.. the movie in which Harvey Keitel plays a police detective who is a thief.. it means.. that if you yourself have stolen in your life.. YOU CAN WATCH THIS MOVIE.. "Bad Lieutenant".. the Dostoevsky thing with theft.. yeah.. It's Dimitry.. it's Dimitry Karamazov entering the ultimate psychological debt-labyrinth of his own identity as being someone who finally.. seems.. to be.. a thief.. it's.. "

Harvey Keitel:..".. what- what- what-.. but Clark.. people can't watch this movie.. Clark.. I can't believe what this .. what watching this movie.. did to you.. Clark.."

Clark Kent (Brandon Routh):....".. it's what you tried with such agony of soul to do with this movie.. Harvey.. to make a movie that people who have themselves stolen CAN SEE.. and.. it's that.. I respect taht infinitely about you, Harvey Keitel .. I'm sorry.. it's that.. their's a scene in a movie where.. you stop two girls out driving their father's car without his knowledge.. you ask .. or you tell.. sorry.. one of the girls... this is heinous.. really heinous.. you order.. this is heinous.. you tell her.. to show you her posterior.. you use the "a" word about her.. and she turns around and lifts up her skirt.. and she.. does.. I turned away and didn't watch the scene at all when that scene happened.. I'm not sure how.. but I saw the other thing you do.. when you tell the other girl to do tongue gesticulations like she's having oral sex.. it's that.. this is the .. these are teh scenes you did Harvey  Keitel that mean you don't think you can be an actor anymore.. and .. it's that.."

Harvey Keitel:.. "... Clark.. I played a scumbag in this movie.. I played a COMPLETE scumbag in this movie.."

Clark Kent:.. ".. maybe.. it's like.. when you are driving the two teenagers who raped a nun... when you're driving them to a place .. a bus station .. where they can safely leave the city.. you call them .. you say.. how can anyone do something like that.. you call them scumbags.."

Harvey Keitel:.. ".. - what..?.. but -.."

Clark Kent:..".. it's that .. it's because YOU'RE character in this movie is a scumbag.. it's that you calling THEM scumbags doesn't mean anything at all.. it has no effect on the viewer whatsoever.. you still drive them to the bus station at the end of the movie.. and you give them as much money as you have on you.. and you see them on the bus where they safely leave the city.. "..


this scene between Clark Kent (Brandon Routh) and actor Harvey Keitel, playing himself... happens as maybe one of the very first Metropolis scenes in "Superman; man of tomorrow; chapter one", directed by Steven Spielberg and Sophia Copolla... this being... Steven Spielberg's very, very first Superman movie...

Superman's conquest of his own soul....

https://www.youtube.com/watch?v=S2fuKYFb6E4


Superman (Brandon Routh): - flying thru the air and talking to himself -....".. Superman... Clark... are you one or two people.. Superman.. Clark... and is their a windmill battled apocalyptically by Don Quixote between those two personages.. Clark.. Superman.. where their is a membrane of pure foolishness... between those two .. identities.. within me.. within me... so that I have an inward fool in my soul.. and my soul is a holy fool.. heh.. I like that... my soul is a holy fool.. and a lighted easily-snuffed out candle leads me one to overwhelming clouds of pure sand in the desert.... and this and is my soul as a vintage blur .. like my soul is fuzzy.. and durn it.. I wish I could afford to by a textbook on Fuzzy Logic... so I could get some foothold into what that actually.. Fuzzy Logic.. what branch of mathematics or physics that actually is.. but at least I have Tamas Vicsek's textbook on Fractal Growth Phenomena... to think about.. funny walks... funny walks.. about lockstep walks.. lockstep walks.. and I have a truly Superman Goth persona I would say... something truly foolish and Victoriana about my soul.. like my very inward labyrinth of consciousness is something purely out of Lewis Caroll.. oh .. no.. oh.. dear.. Lewis Caroll might cause young girls to have nightmares.. but what a truly wonderous book is Alice in Wonderland.. what a truly astonishingly wonderful book is Alice in Wonderland.. it's .. oh.. no.. it's those .. it's the cannibalism against those .. sentient clams.. are they sentient clams.. by the Walrus and the Carpenter.. that's in the sequel.. in "Through the Looking Glass"... perhaps to altar time and to altar the history of Through the Looking Glass so those sentient clams.. are they.. clams.. ?.. sentient clams..?.. so they are not cannibalized by the Walrus and the Carpenter... can I change time and change the very weaving of the text of "Through the Looking Glass" by Lewis Carroll... so that.. perhaps I will have to find a true creature of glorious Horror.. a Jabberwocky residing peacefully and horrifically in my very soul itself.. to accomplish.. that..."


monologue for Brandon Routh's Superman written by Hanno Jason Leigh....

Winona Horowitz Ryder is playing Alexis Luthor's wife, Ardora.. of Lexor... of Planet Lexor.... and Victoria Brianne Hill is playing Tharla.. Tharla of Planet Lexor....

I really, really hope Jimmm Kelley doesn't mind me copy-and-pasting this from his website...

SUPERMAN 167 (February '64) , art by Swan and Klein.

I hope that Deejay Dayton doesnt mind my copy-and-pasting this page from his website.. "Babbling about comics".. on to my website.. here's.. hopin'...

Superman 168 – the hero of Lexor



sup_168
Leo Dorfman joins Hamilton, Swan and Klein for an all-Luthor issue of Superman, number 168 (April 1964).
sup_168_001
The story follows on the ending of the previous issue, with Luthor now living on Lexor, and in a relationship with Ardora.  Superman comes to the planet to bring him back to Earth, and sees how the Lexorians idolize Luthor, and despise him.
There are also some colourful crystals which grab Superman’s attention.
sup_168_002
Then suddenly Superman steals them.  Ardora happens to be on the scene, and sends out a cry.  Is just being on Lexor enough to turn Superman into a villain?
sup_168_003
It’s certainly enough to turn Lex into a hero.  He creates a machine to give him temporary super-powers, and adopts the disguise of the Defender, to keep Ardora safe from any criminal reprisals.
sup_168_004
He even captures Superman, although he learns that the reason he was stealing the crystals.  Although pretty, they give off radiation damaging to people’s brains.  This explains the downfall of the previously advanced civilization on this world.  Luthor allows Superman to leave with the crystals, but makes him vow to not reveal his secret identity.
sup_168_005
But the people of Lexor are clamouring for Superman to be captured, and Lex sets out with a spaceship equipped with red kryptonite, to bring the fugitive back for Lexorian justice.  Things do not go as planned, as Luthor winds up heading back in time, winding up in San Francisco at the turn of the century.
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Superman is also hunting for Lex, and, not finding him on Lexor, uses a time viewer to track him.  Superman follows him to the time and place, but cannot actually find Lex.  He gets a job at a newspaper, using the name Clark Kent.  This is so amazingly stupid.  The editor of the paper is Luthor in disguise.  Superman has just revealed his identity, as Luthor knows this newbie reporter is really Superman.  But the story skirts this, having Lex assume Superman was using the name of one of his friends.  Historical personages Lillian Russell and Diamond Jim Brady appear in the tale.
sup_168_007
Superman gets exposed to red kryptonite, painted onto a fire engine.  He loses his powers, but is still alert enough to realize that the red kryptonite must have been brought there by Luthor, who must be aware that Superman is around.
sup_168_008
Luthor captures Superman and brings him out to an island in the bay.  He tries to bring them both back to the present, but the machine malfunctions, and transports only Lex, and a chunk of the island.
sup_168_009
This sets off the great San Francisco earthquake of 1906, which the powerless Superman is helpless in.
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When the red kryptonite wears off, Superman heads back to the present.  He sees that Ardora is still pining away on Lexor, and eventually finds Luthor on the same island he had been on in the past.  Alcatraz.
The two halves of this story were not intended to be published in the same issue.  The change came about because the story that was meant to be included with the hero of Lexor tale had Superman working with the recently assassinated John F. Kennedy.  The story was pulled, but a few issues later, apparently at the request of Lyndon Johnson, the story was run.