mission impossible 5 screenplay so far... by hanno raudsepp

Johnothon phelps junior: “mental disabilities disrupt skill ratios so skill ratios are in disequilibrium and seek for the whole consciouss's support and self-supporting survival independance for other conformations self-skill-conformations of skill configurations identities.. other skill-identities by (eg. Sonar) amplification of skill-configuration skill-consciousness-configuration of skill-set into shapes conformations self-adapting-conformations by more multi-leveled skill-scaling-amplification so a skill or skill-relation is scaled to sense-skill-ratios sensory skills of scaling conformations.. shapeshifting scaling.. to a greater complexity. . a greater fractal complexity.. scaling skill-node – relations to fractalizing skill-scaling by disequilibrium fractalizing navigation orientations orientation.. skill-orientation ... Skill-ratio is skill/(s) orientation.. ratio is orientation.. Fraction orientation..”

St. Dominic: Thou dost not understand or gegin to comprehend the depths of

Jeremy Iron Stephan Verhoensky: “The Devil be everywhere, in like proportion, in like acceleration – to the power of Christ in on this earth. You do not understand - the power , the accelerating power- of Christ FEEDS the power, the multiplicizizing power , of the Devil on this earth. A war waged fires encourages empoweres its adversaries. A struggle, ANY struggle to overcome a disease but brings an aggravation of its symptoms. Our earth has long been dead to Christiantiy, and death, complacence, these are safe.. - One is in a way safe from teh Devil when one has determined not to be an active threate to him, when one lives by his contours and boundaries and ... ACTIVE opposition will by cause necessitate that multipliticity.. temptations abound..”

nude angelina jolie witwe puckish angelina jolie nude naekd naked rumanian woman nude naked female robin of loxley: “ The Oedipal/ Oedipus principle is the trickster principle, the dynamic of trickster being a trickster against herself incessently, relentelessly, irrevocably be her nature her essentail, primally motivated, primately self-motivational personal drive, almost blackly fatalistic in design, which is the design, which is the design, the divine, fatalitstici Providance shchematics of Greek Tragedy, where the designs of the Tragic heroine of hero are allwwyyaaii working against their own wills, working against any building within themselves of a moral will, no matter how much they try to be moral, no matter how much exctrutiating, meticulous, effort they put into it, no matter haow much of a life-plan they make of their lives to be simply moral pople.. It's always a well-proceed, horrifically -placed tragic flaw in their cahracter or their pwersonal history taht brings down to a a horrific collapse of the ohosue house of cards of the moal moral edifice they're made of themselves. “Tthe stamp of one defect, the dream of ealre of eale, teh poisonous tragic Flaw. Ppoison Ivy in Batman. But Diana? Wherre lies the root, the histoirical root, of her poison flawe. The crack in the \Godolden Bowl, indiscernable to any but hanno's or Max's or Johnothon's or Ethan's.. or.. or.. Peter's...vision..”