.. space battle music .. Imperia .. is the official, quintessential music of.. nightingale mist of planet apocalips: ".. waiddaminnit.. is it it's not exactly i mean they want to but it's that she herself decides to do something that would actually happen i mean it's not exactly the thing that the Shi'ar execute Jean Grey.. p.s. I mean the Phoenix that now that Jean Grey has been the Phoenix as a hero for what is like even close to a hundred issues as a stalwart hero member of the uncanny x men.. as the Phoenix.. of just as 'Phoenix'.. called just.. 'Phoenix'.. I mean that she used to be called marvel girl like Scott Summers is called Cyclops and Alex Summers is called Havok and Jean Grey is called Phoenix.. I'm not sure even how long she was called Marvel Girl but she's called Marvel Girl in Classic X men..".. three dollars.. stochastic disturbance terms.. issue eight twenty three paul dini / joe benitez poison ivy pamela isley kate moss megan d. iseult mia "marvel girl the first" goth anya "marvel girl the second nightingale mist medusa ultron" taylor joy hyacinth "marvel girl the third pamela isley" ryder.. stochastic disturbance terms.. three dollars..

https://www.youtube.com/watch?v=zUrSQNSN6_c&list=RDzUrSQNSN6_c&start_radio=1

.. Hanno Alexander Ridal Raudsepp aka Harr: "Is Uma Thurman fifty five years old this year?.. I'm almost fifty three years old.. Is this a mycast vote for Uma Thurman for the role of Shanna the She Devil?.." .. .. https://www.mycast.io/stories/death-proof-90-s/roles/shanna/77073583/suggestions/uma-thurman/103190576

.. Jean Grey, played by Hyacinth Ryder: ..".. It's been the case for a very, very, very long time now that going to the bathroom is a physically humiliating experience.. just that.. just going to the bathroom.. that's all.." .. three dollars.. stochastic disturbance terms.. issue eight twenty three paul dini / joe benitez poison ivy pamela isley kate moss megan d. iseult hyacinth "nude jean grey of earth two ninety five before arianne zucker maybe?" ryder arianne "nude jean grey who is exactly the same as tim truman's shayera thall? aka earth seven two zero two jean grey?" zucker nikita "nude candy, angel's girlfriend" bellucci.. stochastic disturbance terms.. three dollars..

.. nightingale mist of true, authentic apocalips: ..".. wait.. Jade Cargill as Emma Frost?.. Jade Cargill is on WWE.. is that like WWF?.. Is it?.. I wonder.. because.. about twenty five or twenty four years ago the WWF with ladies and men was the gentlest, most likable, amiable soap opera that could possibly exist.." .. .. https://www.mensjournal.com/entertainment/avengers-social-media-rumor-sparks-debate-who-play-iconic-character

.. Ain't it Cool news website administrator Harry Bellucci "Mojo" Knowles: "The Christian Bale Batman is Dick Tracy in 'Gotham: chapter one: the murder of Vesper Fairchild', directed by Tim Burton.. " .. three dollars.. stochastic disturbance terms.. issue eight twenty three paul dini / joe benitez poison ivy pamela isley kate "pamela isley" moss megan d. "talia in Gotham by Tim Burton" iseult.. stochastic disturbance terms.. three dollars..

.. Hanno Alexander Ridal Raudsepp aka Harr: "This is the first time I've ever.. ever.. EVER.. EVER.. copy and pasted anything from Wikipedia on to this website.. something even beyond Tom Peters has happened with Wikipedia.. ".. .. .. nightingale mist the second of planet apocalips, played by Naked Hyacinth Ryder: ".. wait a minute.. oh dear.. oh dear.. the heterae were actually major female political power players in Ancient Athens.. they were female politicians in Ancient Athens who were the equal of male politicians in Athenian Government.. They participated equally in all aspects of political reality and political culture and political administration in Ancient Athens.." .. .. .. three dollars.. stochastic disturbance terms.. issue eight twenty three paul dini / joe benitez poison ivy pamela isley kate moss megan d. iseult hyacinth "Naked Fyenshya El" ryder winona horowitz "the nude white queen of the hellfire club" ryder monica "Nude Gaea in Walt Disney Don Bluth's 'Medusa' " bellucci.. stochastic disturbance terms.. three dollars..

Contents hide (Top) Summary Iconography See also References Further reading Hetaira Article Talk Read Edit View history Tools Appearance hide Birthday mode (Baby Globe) Disabled Enabled Learn more about Birthday mode Text Small Standard Large Width Standard Wide Color (beta) Automatic Light Dark From Wikipedia, the free encyclopedia "Hetaerism" redirects here. For the concept in anthropology, see Johann Jakob Bachofen. Not to be confused with Haetera or Hetaireia. Greek hetaira and her client, approx. 430 BC. The fact that she is on the couch with him is telling, as wives were not allowed into the symposium. A hetaira (/hɪˈtaɪrə/; Ancient Greek: ἑταίρα, lit. 'female companion'; pl.. ἑταῖραι hetairai, /hɪˈtaɪraɪ/), Latinized as hetaera (/hɪˈtɪrə/ pl. hetaerae /hɪˈtɪriː/), was a type of highly educated female companion in ancient Greece who served as an artist, entertainer, and conversationalist. Historians have often classed them as courtesans, but the extent to which they were sex workers is a matter of dispute. Custom excluded the wives and daughters of Athenian citizens from the symposium, but this prohibition did not extend to hetairai, who were often foreign-born and could be well-versed in arts, philosophy, and culture. Other female entertainers might appear in the otherwise male domain, but hetairai actively participated in conversations, including intellectual and literary discourse. Summary Two banqueters and a psalterion-playing hetaera sitting together on a klinē. Terracotta from Myrina, Mysia, c. 25 BC. The harp is an angular harp. Traditionally, historians of ancient Greece have distinguished between hetairai and pornai, another class of prostitute. In contrast to pornai, who provided sex for numerous clients in brothels or on the street, hetairai were thought to have had only a few men as clients at any one time, to have had long-term relationships with them, and to have provided companionship and intellectual stimulation as well as sex.[1] For instance, Charles Seltman wrote in 1953 that "hetaeras were certainly in a very different class, often highly educated women".[2] More recently, historians have questioned the extent to which there was really a distinction between hetairai and pornai. The second edition of the Oxford Classical Dictionary, for instance, held that hetaira was a euphemism for any kind of prostitute.[3] This position is supported by Konstantinos Kapparis, who holds that Apollodorus' famous tripartite division of the types of women in the speech Against Neaera ("We have courtesans for pleasure, concubines for the daily tending of the body, and wives in order to beget legitimate children and have a trustworthy guardian of what is at home."[4]) classes all prostitutes together, under the term hetairai.[5][6] A third position, advanced by Rebecca Futo Kennedy, suggests that hetairai "were not prostitutes or even courtesans".[7] Instead, she argues, hetairai were "elite women ... who participated in sympotic and luxury culture",[8] just as hetairoi—the masculine form of the word—was used to refer to groups of elite men at symposia.[7] Painting, on the inside of a kylix, of a hetaira or prostitute playing kottabos, a drinking game played at symposia in which the participants flicked the dregs of their wine at a target.[9] Even when the term hetaira was used to refer to a specific class of prostitute, though, scholars disagree on what precisely the line of demarcation was. Kurke emphasises that hetairai veiled the fact that they were selling sex through the language of gift-exchange, while pornai explicitly commodified sex.[10] Leslie Kurke claims that both hetairai and pornai could be slaves or free, and might or might not work for a pimp.[10] Kapparis says that hetairai were high-class prostitutes, and cites Dover as pointing to the long-term nature of hetairai's relationships with individual men.[11] Miner disagrees with Kurke, claiming that hetairai were always free, not slaves.[12] Along with sexual services, women described as hetairai rather than pornai seem to have often been educated, and have provided companionship.[13] According to Kurke, the concept of hetairism was a product of the symposium, where hetairai were permitted as sexually available companions of the male party-goers.[14] In Athenaeus' Deipnosophistai, hetairai are described as providing "flattering and skillful conversation": something which is, elsewhere in classical literature, seen as a significant part of the hetaira's role.[15] Particularly, "witty" and "refined" were seen as attributes which distinguished hetairai from common pornai.[16] Hetairai are likely to have been musically educated, too.[17] Free hetairai could become very wealthy, and control their own finances. However, their careers could be short, and if they did not earn enough to support themselves, they might have been forced to resort to working in brothels, or working as pimps, in order to ensure a continued income as they got older.[18] Iconography Scholars also disagree about the identification of hetaeras in ancient Greek vase painting. Attributes which might identify hetaeras include nudity, involvement in erotic activity, and the presence of money bags. Working with textiles, depiction on kylixes, and being named in inscriptions have all also been used as evidence that women depicted on vases are hetaeras. However, the reliability of all of these indications has been questioned: for instance nudity in the context of athletics, wedding rituals, or supplication does not necessarily relate to sex work. Some scholars have argued that it is impossible to distinguish hetaeras from other kinds of women, or that some depictions of women are intentionally ambiguous.[19] A prostitute putting on her himation in front of her client. The lyre shows that she is a musician called for a banquet. Tondo of an Attic cup with red figures. Euphronius v. 490 BC, British Museum. A prostitute putting on her himation in front of her client. The lyre shows that she is a musician called for a banquet. Tondo of an Attic cup with red figures. Euphronius v. 490 BC, British Museum. Drunken banqueter with a drinking dish, flirting with a musician holding a lyre or barbiton Drunken banqueter with a drinking dish, flirting with a musician holding a lyre or barbiton Symposium, men on couches, the only woman present is a hetaira. Symposium, men on couches, the only woman present is a hetaira. Party musicians are often associated with prostitution. Bottom painting of a bowl from Attica, with red clay figures on a black background. The author is the so-called Painter of Colmar, c. 480 BC. The Louvre Museum. Party musicians are often associated with prostitution. Bottom painting of a bowl from Attica, with red clay figures on a black background. The author is the so-called Painter of Colmar, c. 480 BC. The Louvre Museum. Man and hetaira in symposium Man and hetaira in symposium 19th century interpretation of the hetaira: Jean-Léon Gérôme's painting Phryne Before the Areopagus depicts the hetaira Phryne on trial. The sight of her nude body, according to legend, persuaded the jurors to acquit her. 19th century interpretation of the hetaira: Jean-Léon Gérôme's painting Phryne Before the Areopagus depicts the hetaira Phryne on trial. The sight of her nude body, according to legend, persuaded the jurors to acquit her. See also List of prostitutes and courtesans of antiquity Oiran: class of courtesans in Edo period and Imperial Japan Qayna: class of courtesans in pre-modern Islamic world Prostitution in ancient Rome Hetair-, a Greek linguistic root References Kurke, Leslie (1997). "Inventing the "Hetaira": Sex, Politics, and Discursive Conflict in Archaic Greece". Classical Antiquity. 16 (1): 107–108. doi:10.2307/25011056. JSTOR 25011056. Seltman, Charles (1953). Women in Greek Society. London. p. 115ff., quoted in Davidson 1998, p. 75 Hammond, N.G.L.; Scullard, H.H., eds. (1970). The Oxford Classical Dictionary (2 ed.). Oxford: Oxford University Press. p. 512. Kapparis, Konstantinos A. (1999). Apollodoros 'Against Neaira' [D.59]. p. 161. Kapparis, Konstantinos A. (1999). Apollodoros 'Against Neaira' [D.59]. p. 5. Kapparis, Konstantinos A. (1999). Apollodoros 'Against Neaira' [D.59]. pp. 422–423. Futo Kennedy, Rebecca (2014). Immigrant Women in Athens: Gender, Ethnicity, and Citizenship in the Classical City. New York: Routledge. p. 69. ISBN 9781138201033. Futo Kennedy, Rebecca (2014). Immigrant Women in Athens: Gender, Ethnicity, and Citizenship in the Classical City. New York: Routledge. p. 74. ISBN 9781138201033. "Attic Red-Figure Kylix". Getty Museum. Retrieved 17 November 2024. Kurke, Leslie (1997). "Inventing the "Hetaira": Sex, Politics, and Discursive Conflict in Archaic Greece". Classical Antiquity. 16 (1): 108. doi:10.2307/25011056. JSTOR 25011056. Kapparis, Konstantinos A. (1999). Apollodoros 'Against Neaira' [D.59]. p. 408. Miner, Jess (2003). "Courtesan, Concubine, Whore: Apollodorus' Deliberate Use of Terms for Prostitutes" (PDF). The American Journal of Philology. 124 (1): 23. doi:10.1353/ajp.2003.0023. hdl:2152/31252. PMID 21966719. S2CID 28158600. Kapparis, Konstantinos A. (1999). Apollodoros 'Against Neaira' [D.59]. p. 6. Kurke, Leslie (1997). "Inventing the "Hetaira": Sex, Politics, and Discursive Conflict in Archaic Greece". Classical Antiquity. 16 (1): 115. doi:10.2307/25011056. JSTOR 25011056. McClure, Laura (2003). "Subversive Laughter: The Sayings of Courtesans in Book 13 of Athenaeus' Deipnosophistae". The American Journal of Philology. 124 (2): 265. McClure, Laura (2003). "Subversive Laughter: The Sayings of Courtesans in Book 13 of Athenaeus' Deipnosophistae". The American Journal of Philology. 124 (2): 268. Hamel, Debra (2003). Trying Neaira: The True Story of a Courtesan's Scandalous Life in Ancient Greece. New Haven & London: Yale University Press. p. 12. Kapparis, Konstantinos A. (1999). Apollodoros 'Against Neaira' [D.59]. p. 7. McClure, Laura (2024), Phryne of Thespiae: Courtesan, Muse, and Myth, Oxford University Press, pp. 41–46, ISBN 9780197580882 Further reading Davidson, J. (1998). Courtesans and Fishcakes: The consuming passions of classical Athens. London: Fontana. An essay on women’s lives in classical Athens The hetaerae of Athens - from Book 13 of Athenaeus logo Wikimedia Commons has media related to Hetaeras.

.. Hanno Alexander Ridal Raudsepp: "Demi Moore was twenty seven years old in the year Nineteen Ninety.. I think I was fifteen or sixteen years old in the year Nineteen Ninety.. I know Alan Goodley works only in Real Estate now.. but I wonder if it means something for me to somehow still be.. associated with.. The Acting Academy formerly based in the Winchester Street Theatre in Toronto.. for my status as a Toronto Trenton actor in American Movies?.."..