.. The Red Skull (Scott Paulin): ..".. God bless Cloud (Savanna Samson).. ".. $3.. stochastic disturbance terms.. paul dini / joe benitez poison ivy pamela isley kate moss megan d. iseult maggie 'hyacinth' ryder madeleine 'hyacinth' ryder monica "Malena" bellucci angelina "Gia" jolie scarlett "Scarlet Zen" johansson savanna "aphrodite" samson savanna "artemis" samson savanna "athena" samson savanna "hera carin goering" samson.. stochastic disturbance terms.. $3..

.. Audiomachine - We are Gods.. is the official, quintessential music of.. Scarlett Johansson is the Winona Ryder of the twenty-first century.. and Winona Ryder herself in the twenty-first century.. she is.. just indescribable.. just.. indescribable.. she is already.. Madeleine Herzog.. $3.. stochastic disturbance terms.. paul dini / joe benitez poison ivy pamela isley kate moss 48-year old kate moss megan d. iseult maggie ryder monica bellucci.. stochastic disturbance terms.. $3..

https://www.youtube.com/watch?v=w5fSuEdhU-0&list=RDdlIHGrTlGRo&index=5 .. in the inwards of the above URL.. watch?vivien = west-5-forklift-South-university-Energy-distant-high-Universe .. and.. Retro-Destro distant-luther-Illuminati Hale-Gus-return Turnbull-lex-Guess-Return-ovaltine.. $3.. stochastic disturbance terms.. paul dini / joe benitez poison ivy pamela isley kate moss 3-year old megan d. iseult maggie ryder.. stochastic disturbance terms.. $3..

.. Tron Legacy Soundtrack - The Grid, Overture.. is the official, quintessential music / narration of.. Helen Alexandros (Holly Madison): ..".. The Grid is the universe of Hugh Hefner.. a universe I got lost in.. like a wonderful speck in an ocean.. and.. then.. I found something in this universe.. so horrific.. that I could not stop crying.. I could not stop crying.. and I cried for Hugh Hefner.. because he witnessed a horror.. that he could not understand.. that he didn't know how to react to.. and.. there was a woman being horrifically sexually victimized a woman who had the soul of Embeth Davidtz.. and that was the horror.. and Hugh Hefner witnessed this horror.. and.. and.. he couldn't comprehend it.. he-.. he didn't know how to react.. to it..".. $3.. stochastic disturbance terms.. paul dini / joe benitez poison ivy pamela isley kate moss megan d. iseult hyacinth ryder monica bellucci angelina jolie.. stochastic disturbance terms.. $3..

https://www.youtube.com/watch?v=lWu40FA3eZk .. watch?vivien = luther-West-universe-40 Final-Agency-3 energy-Zatanna-kafka.. $3.. stochastic disturbance terms.. paul dini / joe benitez poison ivy pamela isley kate moss megan d. iseult hyacinth ryder monica bellucci.. stochastic disturbance terms.. $3..

.. copy-and-pasted from a blog.. from a website that I think is called.. Berlinagenten.. from.. http://blog.berlinagenten.com/2015/06/15/insiders-interview-hanno-koffler/ .... Hanno Koffler seems like such a nice person..

Insiders – Interview with Hanno Koffler This month’s interview features our favourite German actor, Hanno Koffler. Hanno is known for his amazing performances in movies like Nacht vor Augen (2008), Freier Fall (2013) and his most recent coup Härte (2015). If you only know Hanno from his onscreen appearances, this is your chance to catch up! Q: Hey Hanno. Congratulations, you just got nominated as Best Actor for the second year in a row! How are you feeling right now? A: I’m feeling awesome right now. It’s great to have your work appreciated by the business and colleagues, especially since I’m really proud of the work I’ve done in “Härte”. Playing Andreas Marquardt wasn’t an easy role, it was a really special and intense work, so right now I’m just feeling thankful for all the appreciation shown for the movie. Q: Did you always want to become an actor? A: Nah, there were a bunch of things I considered doing when I was younger. I always liked the idea of being a craftsman, like a woodworker or maybe even a gardener. Then again I also thought I was going to be a Rockstar for quite some time… which hasn’t worked out so well. Q: Hanno the Rockstar, wouldn’t that be something. What’s your favourite band? A: Hmm… tough question. Back in the days it used to be Nirvana, but I really like the Beatles and I’m a big fan of Elvis Presley. Depending on the mood I’m also into Bob Dylan or even Schubert and Mozart… I think I need a pre-made list with answers for questions like this, it’s really difficult to settle for one. Q: Becoming an actor is a very profound experience – things from deep inside your soul are washed to the surface, things you maybe never knew even existed. What was the most important thing you learned about yourself in the process of becoming an actor? A: I guess one of the most profound lessons I learned was coming to realize how acting is not about perfection, but rather about accepting your own imperfections and to let them show on the outside. It’s about finding your own truth and building up your own personality. It’s about finding a quiet and true point within yourself from which you can develop into new directions and adapt to new roles. Then there’s body language, controlling your voice and finding the way to your emotionality. It’s also about learning to let everything go. Q: Did you already find that point? A: It’s a constant search, really, and I’m not sure if it can ever be wholly found – however the search definitely has made me aware of some of my hurts. Learning how to act is a never-ending process, because it’s a journey to your own personality, which always transforms, grows and changes. Q: In “Freier Fall” you’re playing the married police officer Mark, who starts a love affair with a homosexual colleague – very much to his own surprise. The film manages to create an incredible atmosphere and intimacy. How do you prepare for a role like that? A: First of all, by reading the film script. Then it gets trickier: You have to try to understand your character’s world and try to dive into the depths of his mind. Once I feel I have good understanding of my character, I’m giving it all my passion and emotionality to get engaged with the role and just see where things go from there. Q: So… did “Freier Fall” reveal a formerly unknown passion for the male sex or was it just fantastically played? A (laughs): It was just fantastically played. Q: What about Freier Fall 2? Is it just rumours? A: I really like the idea, especially since it’s extremely rare for German arthouse movies to have a sequel. We had more than 6 millions views on the trailer just from the US, so the interest for Freier Fall has grown to an international level. We have this huge audience from all over the world and lots of questions that still need to be answered, so getting the funding for a sequel would be great. Max Riemelt and me are definitely up for it if we can take a liking to the script and to achieve that the producers and writers need to raise enough money for developing a great story and for making the whole thing happen. It’s still a long way to go, though and the project needs as much support as it can get – there’ll be a crowdfunding campaign soon, so get involved, everyone! Q: What was the craziest thing you’ve been through while acting? A: Well, there’s always the good old house ban. We were in this shabby hotel while filming Freier Fall and had a little get-together after we were halfway through with the shooting. We had a few drinks too many and partied until the early morning… until the hotel had enough and we have to pack our things and get going. Q: In “Härte” you’re playing Andreas Marquardt – a man who’s been through a life of violence, abuse and hatred. What was it like to play that role? A: It was extremely intense. Above all it was a very special honour to play Andreas – he’s a very authentic person who’s been through a hell hardly anyone of us can begin to understand. Q: What does Berlin mean to you? A: Home. Family. Friends. At the same time it can also be stressful and create a longing for the countryside. It’s a bit of a love hate relationship. Q: In what ways did you experience the change Berlin has underwent in the past 20 years? A: At one point I was gone for almost a decade and realized that lots had changed when I came back. Just a few hundred meters from here my band used to jam in a little rehearsal space in some worn down backyard. Now the place boasts a 24 hours supermarket, a health care center and tourists everywhere! Q: Which night clubs do you go to? A: We usually party at someone’s flat and put on a quality DJ set to get us grooving through the night. Apart from that – Kater Holzig and Berghain are good choices to have a fun night out. Q: Can you recommend any restaurants for our readers? A: My all time favourite is Jules Verne on Schlüterstraße, I’ve been going there for years – there’s no way I ever get tired of their Schnitzel. Not too far from here there’s the Antillo – run by real Italians, they cook some great food aswell. Q: Favourite bar? A: Don’t really have one. I was having a few drinks at Viktoriabar in Schöneberg the other day, that was pretty cool!

.. Caradhras.. is the official, quintessential music of.. a lovely, beautiful young girl who I am talking to thru my schizophrenia.. her name is Abby.. like.. Abigail.. Abigail.. Abby.. Abigail.. loves Orpheus.. to the same degree that Holly Madison loves Tammuz.. Abigail.. Abby.. loves Orpheus.. Caradhras.. Caradhras.. $3.. stochastic disturbance terms.. paul dini / joe benitez poison ivy pamela isley kate moss megan d. iseult.. stochastic disturbance terms.. $3..

https://www.youtube.com/watch?v=bIsGTeviHB4 .. watch?vivien = business-Illuminati-senses Gus-Turnbull energy-volk-illusions Hale-By-4.. $3.. stochastic disturbance terms.. paul dini / joe benitez poison ivy pamela isley kate moss 3-year old kate moss 48-year old kate moss by the pond .. megan d. iseult.. stochastic disturbance terms.. $3..

.. copy-and-pasted from.. The Huffington Post.. an article written by.. I think by.. Austen Peterson.. .. .. .. copy-and-pasted from the URL: https://www.huffpost.com/entry/ishtar-and-tammuz_b_8633332

THE BLOG UNITARIAN UNIVERSALIST WILLIAMSBURG EZEKIEL Ishtar and Tammuz Ishtar and Tammuz By Austen Petersen, Contributor Director of Religious Education at Williamsburg Unitarian Universalists in Williamsburg, Virginia Nov 24, 2015, 02:49 PM EST |Updated Dec 6, 2017 This post was published on the now-closed HuffPost Contributor platform. Contributors control their own work and posted freely to our site. If you need to flag this entry as abusive, send us an email. Yesterday, I told the story of Ishtar and Tammuz as our Wisdom Story. You've probably heard of the Ishtar Gate, currently in the Pergamon Museum in Berlin, Germany, part of which is pictured below. Lions represent Ishtar in this depiction. For Unitarian Universalists, the Wisdom Story can be an integral part of the worship service on Sundays. The Wisdom Story is often told by the Director of Religious Education with an eye toward educating, reminding, and engaging the whole crowd, regardless of age. Our service this past Sunday focused on St. Cecilia's day - a day to remember and celebrate music. As part of my Wisdom Story, I wanted to remember and celebrate Tammuz, the Babylonian god who represented fertility and played a magical flute. Tammuz's story echoes the myth of Demeter raging down to Hades to rescue her daughter Persephone. In this story, Tammuz is killed by his mother, Ishtar (known even earlier in Ancient Sumer as Inanna), who later regrets her decision and storms down to the underworld to rescue and revive Tammuz so that there can be celebration, food, and music once again. In the end, she is only allowed to enter the underworld having given up all her divine finery wearing a plain robe, and it is her earnest regret and love for Tammuz that revives him. As she weeps, her tears save Tammuz by bringing him back to life, and Ishtar is reunited with her son for six months of each year when he can bring life and celebration to the earth. The other six months of each year he remains in the underworld, although the purpose of that isn't entirely clear. Tammuz shows up in the Bible, too. Ezekiel 8:14-15 King James Version

.. copy-and-pasted from... https://www.chabad.org/library/article_cdo/aid/2263474/jewish/Tammuz.htm .. an article written by Alex Levin..

Sunrise in Jerusalem - By Alex Levin Sunrise in Jerusalem - By Alex Levin Tammuz (Tamuz) is the fourth of the 12 months of the Jewish calendar, counting from Nisan. The month of Tammuz begins the “season” of the summer. The three months of this season are Tammuz, Av and Elul. The 17th day of Tammuz—a fast day that commemorates the day when the walls of Jerusalem were breached by the Romans (in 69 C.E.)—marks the beginning of a period known as “the Three Weeks.” This is an annual mourning period, when we mourn the destruction of the Holy Temple and the cause of our current ongoing exile. It reaches its climax and concludes with the fast of the Ninth of Av, the date when both Holy Temples were set aflame (423 BCE and 69 C.E., respectively). Because of this and numerous other tragedies that occurred throughout Jewish history during this period, we lessen the extent of our rejoicing during the three-week period leading up to it. See: Tisha B'Av and the Three Weeks Why the excessive mourning for more than 2,000 years? G‑d is our Father, and we are His children. And during galut (exile), we constitute a dysfunctional family. We have been expelled from our Father’s home, and our relationship is strained. This is certainly not the way the relationship should be—and this wasn’t always the case. There was a time when we were coddled by our Father’s embrace. His love for us manifested itself in many forms, including miracles, prophets, abundant blessings, and a land flowing with milk and honey. At the center of our relationship was the Holy Temple, G‑d’s home, where He literally dwelt among His people and where His presence was tangible. All the suffering that has been our lot since the day the Temple was destroyed is a result of our exiled state. This is why we mourn the destruction of the Temples. We believe with perfect faith and pray that the day is near when we will be returned to our Father’s home and once again feel His love. We look forward to a brighter future, when the world will finally reach the culmination of its purpose, and be infused with everlasting peace and goodness.