.. biographical information about Bridget Marquardt.. copy-and-pasted from.. from.. imdb.. aka.. international movie database ..

Bridget Marquardt Biography Showing all 16 items Jump to: Overview (3) | Mini Bio (1) | Family (1) | Trivia (11) Overview (3) Born September 25, 1973 in Tillamook, Oregon, USA Birth Name Bridget Christina Sandmeier Height 5' 5" (1.65 m) Mini Bio (1) Bridget Marquardt was born on September 25, 1973 in Tillamook, Oregon, USA. She is a producer and actress, known for Intolerable Cruelty (2003), The House Bunny (2008) and Scary Movie 4 (2006). She was previously married to Chad Christopher Marquardt. Family (1) Spouse Chad Christopher Marquardt (2 August 1997 - 2008) (divorced) Trivia (11) Older half-sister of Anastasia Case. Previously one of Hugh Hefner's girlfriends. Has a black-colored pekingese named Wednesday, after "Wednesday" from The Addams Family (1964) or "Winnie" for short. Has a cat named "Gizmo", after the character in Gremlins (1984). Tested for the Millenium Playboy Playmate. Her first real job was at a video store. Has a growing affinity for red wine, especially Merlot. She enrolled at college at the age of 17. Daughter of Judy Case. Fliming Season 3 of The Girls Next Door (2005). [March 2007] Stepdaughter of Jeff Case.

.. copy-and-pasted from.. I think .. www.dailymail.co.uk/tvshowbiz/article-8861477/ ... I forget the rest of the URL... but it's an article written by J. Peterson of Daily Mail Australia.. sorry.. I'm not sure if the partial URL I wrote is.. accurate.. in this Daily Mail Australia article.. this can't be.. accurate information about Nicole Kidman's choices to do nude scenes in 'Eyes Wide Shut'.. the director of 'A Clockwork Orange'.. a movie which had a horrific, satanic, sadistic rape scene commited against a terrified woman by the protagonist, 'Alex', played by Malcolm MacDowell... Stanley Kubrick can't proposition a nude scene to Nicole Kidman... Nicole Kidman was suicidal over pedophilia against young boys in 'Eyes Wide Shut'.. you saw a suicidal Nicole Kidman in the movie 'Eyes wide shut'... those... i wonder if those may have been.. panic attacks.. Nicole kidman was having in 'Eyes Wide Shut'.. i know Winona Ryder has described Panic Attacks in the sense of feeling like there's a hand gripping your throat with horrific force.. $3.. stochastic disturbance terms.. paul dini / joe benitez poison ivy pamela isley kate moss megan d. iseult hyacinth ryder.. stochastic disturbance terms.. $3..

'I didn't say no to any of it': Nicole Kidman says she was 'at the forefront' of artistic nudity on camera thanks to her racy role in Eyes Wide Shut with then-husband Tom Cruise By J. PETERSON FOR DAILY MAIL AUSTRALIA PUBLISHED: 19:21 EST, 20 October 2020 | UPDATED: 19:57 EST, 20 October 2020 e-mail 71 View comments With an acting career spanning decades, Nicole Kidman has played all kinds of characters. Some of the star's roles have included nudity and sex scenes, with the most notable being Stanley Kubrick's Eyes Wide Shut. The erotic thriller, released in 1999, saw Nicole in full-frontal nude scenes, in addition to multiple sex scenes with then-husband Tom Cruise. Art: Nicole Kidman has opened up about presenting sex on camera in an artistic way in a new interview with the New York Times +5 View gallery Art: Nicole Kidman has opened up about presenting sex on camera in an artistic way in a new interview with the New York Times Speaking to the New York Times about her nudity on screen, Nicole praised the Stan series Normal People for artistically portraying sex on camera before opening up about Eyes Wide Shut. RELATED ARTICLES Previous 1 Next 'No one knows me like she does': Keith Urban reveals the... Nicole Kidman reveals her husband Keith Urban's Google... Bella Cruise hints at a reconciliation with her mother... Travelling in style! Nicole Kidman is all smiles as she... SHARE THIS ARTICLE Share 'I was probably at the forefront of this, when I went to work with director Stanley Kubrick,' she said. ADVERTISEMENT 'He was like, "I'm going to want full frontal nudity," and I was like, "Ahh, I don't know."' 'I was probably at the forefront of this, when I went to work with director Stanley Kubrick,' she said of her role in Eyes Wide Shut, which featured sex scenes with her then-husband, Tom Cruise. Pictured together in Eyes Wide Shut +5 View gallery 'I was probably at the forefront of this, when I went to work with director Stanley Kubrick,' she said of her role in Eyes Wide Shut, which featured sex scenes with her then-husband, Tom Cruise. Pictured together in Eyes Wide Shut 'So we came up with a great agreement, which was contractual. He would show me the scenes with the nudity before they made it into the film. Then I could feel completely safe. 'I didn't say no to any of it. I'd wanted to make sure that it wasn't going to be me standing there nude and everyone laughing at me.' The flame-haired actress said that she felt 'protected' on set and was able to confidently explore all aspects of the role without compromising the storytelling. 'He would show me the scenes with the nudity before they made it into the film. Then I could feel completely safe,' she explained. Pictured in Eyes Wide Shut +5 View gallery 'He would show me the scenes with the nudity before they made it into the film. Then I could feel completely safe,' she explained. Pictured in Eyes Wide Shut 'Having them say, "Once you're okay with it, great, that's it" – what a fantastic place to be in as a woman,' she added. Nicole's latest role in the HBO miniseries The Undoing also contains artistic love scenes, according to early reviews. The Undoing is based on the 2014 novel You Should Have Known by Jean Hanff Korelitz, which reunites Nicole with her Big Little Lies collaborator David E. Kelley. Nicole and co-star Hugh Grant play the happily married couple Grace and Jonathan Fraser, who are living their best lives when their world is rocked by a violent death. The death leads to a chain of 'terrible revelations' as Grace becomes a suspect in the grisly death in a very public way. The six-episode limited series also stars Edgar Ramirez as Detective Joe Mendoza, Noah Jupe as Henry Fraser, Jonathan and Grace's precocious and artistic 12-year-old son and Lily Rabe as Sylvia Steinetz After an initial delay caused by COVID-19, The Undoing will premiere in Australia on October 26.

.. Ghost in the shell - Inner Universe Iago's inwards poisonous mineral that 'gnaws my inwards' Violette le Duc's inwards 'the sea monster inside me'.. is the official, quintessential song of.. Nicole Kidman is Jean DeWolfe and Dean Stockwell is her best friend Stan Carter in the 27-hour 'Spider man 4' trilogy.. divided into three 9-hour movies each.. $3.. stochastic disturbance terms.. paul dini / joe benitez poison ivy pamela isley kate moss megan d. iseult hyacinth ryder monica bellucci angelina jolie 'film-noir (?)'- scarlett johansson aphrodite savanna samson greek goddess athena strawberry shortcake savanna samson carin goering- hera savanna samson goddess artemis savanna samson with a brilliant, gleaming Tom-Cruise smile-and-a-face-like-no-savanna-samson-you've-ever-seen-she-is-greek-goddess-artemis-savanna-samson holly madison gal godot nicole kidman megan gale lois lane brianne victoria brianne hill Victoria Christine lane hill 'sparrow's breasts nude lady macbeth'- victoria lane hill.. stochastic disturbance terms.. $3..

https://www.youtube.com/watch?v=dGyF-YMCLFI .. in the inwards of the above URL.. watch?vivien = distant-Gus yoriba-Fizz - Yam-Musk-Cisa Lex-Forklift-Illuminati.. $3.. stochastic disturbance terms.. paul dini / joe benitez poison ivy pamela isley kate moss megan d. iseult hyacinth ryder monica bellucci angelina jolie scarlett johansson savanna samson holly madison gal godot phoebus-apollo- nicole kidman phoebus-apollo- megan gale greek goddess-of-schizophrenia artemis brianne lois lane greek goddess-of-schizophrenia-and-autism-artemis Victoria Christine lane hill 'sparrow's breasts nude lady macbeth'- nude victoria hill.. stochastic disturbance terms.. $3..

.. oh no.. I forgot to check the website name and URL of this article.. but this article was written by Brent Furdyk.. Amber Heard: ..".. sob sob.. maybe I am such a rare special gift to humanity that I should play Magistrate Tam of issue #270 and ALSO.. of issue #271.. after all.. after all.. for Scorcese's- Uncanny..".. hanno: ..".. sorry.. I wrote that.. Amber Heard truly is God's gift to humanity.. God's gift to the human race..".. $3.. stochastic disturbance terms.. paul dini / joe benitez poison ivy pamela isley kate moss 3-year old rachel summers 3-year old megan d. iseult 9-year old angelica jones 9-year old megan d. iseult soon-to-be 10-year old little mongoose 10-year old phoebus apollo megan d. iseult 'nude adrianna anderson'- hyacinth horowitz ryder nude malena monica bellucci nude Gia angelina jolie 'film-noir' nude scarlett johansson.. stochastic disturbance terms.. $3..

Amber Heard Calls Out Instagram’s Double Standard On Nudity Guidelines By Posting Photo Of Jason Momoa By BRENT FURDYK. Published: 20 Oct 2019 9:52 PM Click to share this on Facebook Click to share this on Twitter Click to share this via email Amber Heard. Photo: Maria Laura Antonelli/AGF/Shutterstock Amber Heard. Photo: Maria Laura Antonelli/AGF/Shutterstock Last month, Amber Heard posted a photo on Instagram — taken for a magazine shoot — in which she stood in front of a mirror wearing a black suit jacket atop her bare torso, with the nipple of one of her breasts visible. Her followers predicted the photo would be deleted due to the social media platform’s stringent nudity guidelines — and sure enough, it was. On Saturday, the 33-year-old actress challenged the double standard by reposting the photo — albeit a doctored version, in which her face and torso had been replaced that that of her “Aquaman” co-star Jason Momoa. RELATED: Amber Heard Visits Capitol Hill To Convince Lawmakers To Make Revenge Porn A Federal Crime “In honour of IG’s rigorous and equitable Community Guidelines against showing the Female nipple ..and since mine enjoyed the brief privilege that’s afforded to my male counterparts.. I decided to pay homage by replacing it with a picture that DID meet IG’s strict nudity guidelines and such careful gender policies,” she wrote in the caption. “See my stories to vote on which edit you prefer the most ..and thank you IG, here’s to 2019!” she added.

... an interview conducted by.. by Christine Radish.. on January the 19th, in the year 2014.... I'm not sure about the URL.. but I think the URL is... collider.com/michael-rosenbaum-back-in-the-day-interview ..

Michael Rosenbaum Talks BACK IN THE DAY, How Directing SMALLVILLE Episode Prepared Him, Writing for a Budget, and More BY CHRISTINA RADISH PUBLISHED JAN 19, 2014 Michael Rosenbaum Talks BACK IN THE DAY, How Directing SMALLVILLE Episode Prepared Him, and Writing for a Budget. BACK IN THE DAY is now in theaters. Back in the Day michael rosenbaum From writer/director Michael Rosenbaum, Back in the Day is a raunchy comedy with heart that tells the story of Jim Owens (Rosenbaum), an aspiring actor in Hollywood who decides to go back home to Indiana for his high school reunion. Reliving the glory days with his now-married friends, he encounters an old flame (Morena Baccarin) and wonders what could have been, had he chosen a different path in life. At the film’s press day, actor/filmmaker Michael Rosenbaum spoke to Collider for this exclusive interview about what started him down the road for this film, how directing an episode of Smallville was a great trial run, having to write for your budget, how he got this great cast together, how much improvisation they did, keeping track of his own performance while he was directing, changing the ending, editing the film down from a two hours and 20 minute assembly cut, and what he’d like to do next. Check out what he had to say after the jump. Close Collider: What started you down the road on this? MICHAEL ROSENBAUM: I was on Smallville and I had a lot of free time on my hands, sitting around on the set, and my friend was like, “You need to write.” Carrie Fisher, who’s a friend of mine, said, “Just write stuff. You’re always telling me these crazy stories, so write it!” So, I wrote a whole bunch of short stories about growing up, and then I gave it to her. She said, “Did this really happen to you?,” and I was like, “Yeah.” She said, “You need to write this. This should be a movie or a TV show. This is really funny.” I was like, “What?! You wrote Postcards from the Edge. You’re a genius!” So then, I started writing and I got to sell a few things. None of them got made, but I sold them. You’ve always gotta look at the little things, and the accomplishments in life. While I was at Smallville, I was like, “Why don’t I take the opportunity to direct an episode?” So, they let me direct an episode, and I was like, “Oh, my god, I love this!” And then, I directed a short, produced another short, and wrote this and that. Then, I decided that I was going to direct a movie. I’ve seen a lot of people do it who can’t, and I’ve seen a lot of people who really can, so I decided to give it a shot. And then, you realize, “Wow, I have no money,” and you have to raise money, which takes forever. Then, you lose money. Then, someone else comes back. Somehow you get a movie made, which is a miracle, on its own. And then, you have to cast it and finish it. This was one of the first scripts I had written. It was loosely based on a lot of stories that happened when I was growing up. Did directing an episode of Smallville really help you with directing a movie? ROSENBAUM: Yeah, it helped. But, you’ve gotta remember that Smallville had millions of dollars in the budget, an infrastructure, a special effects department, a stunt department, a make-up department, and a hair department. Everybody was already doing their job. You don’t have to direct anyone. You just get the performances. But, I felt that I really got great performances, and I thought, “Okay, I can do this.” We had nobody. We just had one person doing make-up and hair. A lot of times, people think directing is how you can move a camera and how you can make big explosions. That’s not directing. I haven’t directed a lot. This is my first movie. But, directing is more about telling a story. You have a script and you tell the story, the easiest way possible. The best direction I got was from Jason Reitman and James Gunn. They’re big directors and they said, “Tell the story. Transition to the next scene. Get performances. Get a variety of performances, so that you have something to cut, if you don’t like it.” To me, it’s really about performance and telling the story. I’m an actor, so it’s easier for me to talk to actors. I felt like I could get what I wanted out of them. That was the biggest thing I had going for me. I knew that the characters were going to be good and that they were going to be believable, I just didn’t know how the movie was going to turn out. But, I was very happy. You’ve just gotta keep it simple. There are movies where you need to do big things, and they’re called action movies. But for a comedy, you’ve just gotta tell the story. When you wrote this, did you know you’d also be directing it? Did you think about that while you were writing it, at all? ROSENBAUM: You just have to know your budget. You have to go, “Okay, I want to do a stunt scene driving.” I wrote this scene where a truck jumps off into the cornfield and busts through a billboard that’s my face with a big thumbs up, but I couldn’t afford that. We had six hours to shoot a stunt scene. I was a little over-ambitious. I wanted to do so much, but I love what I have. We had 20 days to shoot the movie and a million bucks. That’s it. We shot in the middle of nowhere with no tax credit and no overtime. To do what we did was simply amazing. I can’t believe we did as much as we did. We shot driving scenes, stunt scenes, a wedding, a reunion with 12 actors and at least eight days of it, a wiffle ball scene and a BBQ. There were a lot of big group scenes, and that’s very difficult. I knew that we could do it. I just hoped that weather permitted and that Lady Luck was on our side. How did you get this great cast together? ROSENBAUM: I got lucky with this cast. I was a first-time director, and it was pilot season. I had no idea how I was going to get people out to the middle of nowhere, where I grew up, to shoot this movie. But somehow, I did. We didn’t have enough money to get through the days, but we did it. Then, we were finished and we were in the editing room, and I was like, “Wait, there’s some funny stuff here, and this actually looks like a real movie.” The one thing I didn’t want to do was make an arthouse movie. I love them, but I didn’t want this to just show at a small theater. I wanted people to go, “This looks like it could be a studio movie.” And I give that credit to my D.P., Bradley Stonesifer. It looks great. And we’ve got a great soundtrack. Call it luck, or whatever, but I am lucky. Did you have these particular actors in mind? ROSENBAUM: Yeah. Harland Williams was always Skunk. It’s based on a real character, who I grew up with. Skunk was such a great guy, and Harland nails that character. Nick’s character is based on a guy who used to ump our wiffle ball games. He’s a big drinker with a heart of gold. They were all loosely based on different people, for the most part. So, I knew Nick would play Freeman, I knew Harland would play Skunk, and I knew [Jay R.] Ferguson would play the fiancé. I was blessed, but I was lucky that they all did it. It seems like a movie like this would have a lot of improvisation, but when you’re on such a tight schedule with such a tight budget, can you even allow for that? ROSENBAUM: I had to. It would be a disservice to not let these gifts in the improvisational world not to improvise. As little time as we had, I always said, “Take one, say it how it’s written. Once we get that, let’s play with it.” And I’m acting in those scenes, too. You take your time for things that are really important, and those things that aren’t as important, you just go, “Hey, that’s enough. Let’s move on.” Did you find it hard to keep track of your own performance while you were directing? ROSENBAUM: Yeah! I thought I was going to be so stressed about knowing my lines because I wrote it and it’s embarrassing, if I don’t know my lines. But, I was at ease because I was so worried about everything else that I forgot. I just became myself. But, I had eyes on the camera. I was just say to my first assistant director, “Hey, are we good?” Every once in awhile, she’d say, “You could use a little more energy.” And I trusted her because she’s done 30 movies. I just shot as much footage as I could. I knew that the key was to shoot as much footage as I could, keep rolling and get the moments. I wanted people to connect, and I also wanted people to laugh. The jokes had to be there, and the relationships had to be there. Was this always the ending you had written for this? ROSENBAUM: No. The scene at the end wasn’t supposed to be there. I wrote it at the end. I was like, “You’ve gotta have a little bit of a happy ending, and some morsel of hope that maybe things work out.” This is a comedy. This is light and fun. This is a date movie, where you’re going to laugh and enjoy yourself. You don’t need to feel sorry for anybody. I didn’t want it to be too cliche. It’s just a real story. How challenging was it to put together a final cut? ROSENBAUM: It was easy, but there was a lot of great stuff that got cut. Richard Marx was a gift from god. He was hilarious in the movie, but I ended up cutting him out. It was not because of his performance, but it didn’t work. He was nice enough that he gave us a song. He’s become one of my best friends. He’s like my big brother. But my editor said, “I’ve never been with a writer/director that cuts as easily as you do, ever. You can cut stuff like you don’t care if it’s you.” I was like, “If it’s not funny, it’s not making the movie. If I don’t believe it, it’s not making the movie.” This is a comedy. People don’t want to go so a two hour and 20 minute comedy, although some directors do that. I wanted to make an hour and a half movie, where you’re in and out and you laugh your ass off. We have outtakes at the end. That was important. I didn’t want the movie to drag. There were some dance scenes at the reunion and some bachelor party stuff. I cut a lot of Harland Williams stuff. I had to just cut stuff that was really funny, to get out of the scene. When they gave me the assembly cut, it was two hours and 20 minutes, and I said, “What the fuck?!” I remember chopping it down to two hours, and then to one hour and 50 minutes, and then to one hour and 40 minutes, but that still wasn’t enough. I even think I still could have cut another four or five minutes, but it moves and it’s fun. When you throw so much of yourself into a project like this, do you then just want to go do an acting project and leave the rest to someone else? michael rosenbaum morena baccarin back in the day ROSENBAUM: I’ve gotta say, as much as that sounds so easy, and it’s fun sometimes to be the actor and go home and not worry about anything but your lines, I loved coming to work every day and seeing this whole crew that looked at me like, “What are we doing today? It’s your call.” I like to direct. I like to engage with people, and I want people to have fun. I’m a people person, and I feel like I could be a good leader. I think being a good leader is knowing what you want, having professional people around you, who are fun to work with, and know your taste and what you want. That makes it easier. A lot of these big directors work with the same people, for years on end. Do you see yourself directing scripts that you haven’t written? ROSENBAUM: Sure. I’d love to direct my own stuff, but a lot of my stuff isn’t as good as most people’s stuff. I don’t think I’m the world’s most gifted writer. I think I have great ideas and great characters. Sometimes I think I write really well, but sometimes I don’t. If a script comes to me that’s great, I’m game. If I can get the rights to it, I’m gonna direct it. But, I like to put my own twist on it. I like if they can give me the freedom to add things to it and take things away. I always want that freedom. I want to improvise. If it’s not working, I want to have the freedom to not have to call the writer and say, “Do you care if we change your words?” I’m not going to be that director. You’ve always gotta respect the writer, but if you write and direct your own stuff, you can change it. Do you know what you’re going to direct next? ROSENBAUM: I’m gearing up to hopefully direct my next movie in the summer. I can’t really tell you anything about that right now ‘cause everyone steals in this business. But, it will have a bigger budget with more days off. It’s a very funny romantic comedy. There’s also a camp movie that I wrote, and another movie that I won’t talk about. I’m really narrowing it down, revising both and seeing what’s best. But, I’m up for anything. One of my favorite movies is Tommy Boy, but then I love The Perks of Being a Wallflower. I like to make people a little uncomfortable, and then say, “It’s okay. These things happen.” There’s just some kind of awkwardness that I want to convey, so hopefully I’ll be able to do that, in the future. Back in the Day is now playing in theaters and on VOD.

... Hanno Ridal Raudsepp: ..".. the blessings of nude Ishtar.. Yahveh.. and Tammuz.. and the nude goddess Tammuz.. upon you.. Savanna Samson.."... this article / interview was written by Alice Gomstyn.. like David Kynaston... Alice Gomstyn.. I think the URL is.. oh no.. i can't remember the URL.. but.. part of it is.. story?id=.. oh no.. I can't remember the whole number.. it's like.. 221526... partially.. '22' is the mystical number of Haydnn Christiansson.. '15 is the mystical number of nude nocturna nude monica bellucci.. and '15' is also the mystical number of the Johnny Depp pre-crisis Riddler.. and '26' is myself Hanno Ridal Raudsepp when I was twenty-six years old.. $3.. stochastic disturbance terms.. paul dini / joe benitez poison ivy pamela isley kate moss megan d. iseult hyacinth ryder monica bellucci angelina jolie scarlett johansson savanna samson holly madison gal godot nicole kidman megan gale lois lane victoria brianne hill Victoria Christine lane hill 'sparrow's breasts nude lady macbeth'- victoria lane hill.. stochastic disturbance terms.. $3..

Savanna Samson: Confessions of a Porn Star-Turned-Mom Adult film star worries about career's impact on young son. ByALICE GOMSTYN April 27, 2012, 10:22 AM Share 6:12 True Confessions: Porn Star-Turned-Mom Part 1: Meet Natalie Oliveros, a mom with a porn star alter ego: Savanna Samson. April 27, 2012 — -- Natalie Oliveros is a New York City working mom devoted to her young son. She cooks breakfast for 10-year-old Luchino, takes him to school every morning and even cuts his hair. "My life means nothing without, without him," Oliveros, 44, told "20/20" co-anchor Chris Cuomo. She added that she believed that "everything that I've done in my life, all the choices I've made, will one day benefit him instead of being a shameful thing for him." What could young Luchino possibly find shameful? Meet Savanna Samson, Oliveros' alter ego. Samson is an adult film star -- and a very successful one at that. Her Adult Video News awards for group sex and best all-girl sex stand prominently displayed in her home. "I'm a porn star, yes ... and I don't mind that title. ... It's given me a life of luxury and success," she said. "I was, you know, born to do this. "I'm just an entertainer, and this is how I choose to entertain," she said. "And, morally speaking, that's what's confusing about me, is that I do have morals. And yet, it's contradictory, I guess, by the industry I'm in." Recent Stories from ABC News Oliveros came to New York City from upstate New York at the age of 17 intending to pursue ballet. She did end up dancing professionally, but not in ballet slippers: She worked at the famous strip club, Scores. She met her future husband -- Luchino's father, from whom she's now legally separated -- at the club. It was he, Oliveros said, who suggested she try doing a pornography film as a wedding gift to him. Oliveros said that she was both appalled and intrigued by the idea. "I figured, I can make this one and only movie, and no one will ever hear about it," she said. But once in front of the camera, Oliveros said, she caught "porn fever." "I [had] the bug, you know, can't wait to do it again," she said. Over the last decade, she's starred in more than 80 films. But there is the uncomfortable potential of her job interfering with her parenting. She worries about what Luchino may find about her online. "I've been trying to knock down all the smut and all the nudity when you Google me that comes up. It's not just about me but it's about Luchino and his friends," she said. "I still would be devastated if he saw this stuff on the Internet." She said she wouldn't want him to pursue a career in pornography; the business, she said, is tough on men. Recently, Oliveros has tried to talk to Luchino about her profession, but the boy -- perhaps knowing more than he lets on -- has stopped the conversation in its tracks. Recent Stories from ABC News "I love you a ton!" he declared when Oliveros tried raising the subject in front of "20/20's" cameras. Oliveros doesn't plan to be a porn star forever. "I have to go forth as a business woman and not use my body to get what I want," she said. "That's always a challenge for me," she added, laughing. Several years ago, Oliveros partnered with a vintner in Tuscanny to start her own wine label, Savanna Samson. Recent Stories from ABC News "A lot of times, when I first launched with this Savanna line, it was like, 'Haha, right, you know: Porn star wine give me a break,'" she remembered. But Oliveros' venture was instantly validated after wine guru Robert Parker gave her Sogno Uno an outstanding rating. "Suddenly, with the rating, 91 rating from Robert Parker, it was like, wait a second ... don't knock it 'til you try it," she said. Oliveros was proud that her parents finally had something they could tell their friends about. And she was excited for her son, too. "Hopefully, he'll have an interest and want to carry on the business," she said.